Shakespeare in JapanA&C Black, 2005 M03 10 - 166 páginas Since the late Meiji period, Shakespeare has held a central place in Japanese literary culture. This account explores the conditions of Shakespeare's reception and assimilation. It considers the problems of translation both cultural and linguistic, and includes an extensive illustrated survey of the most significant Shakespearean productions and adaptations, and the contrasting responses of Japanese and Western critics. |
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... King ? ' – whereas the play Hamlet is so extraordinarily and even ( if this unexpected word brings out the relevant contrast ) promiscuously interested in how differently different characters think or feel about their respective ...
... King ? ' – whereas the play Hamlet is so extraordinarily and even ( if this unexpected word brings out the relevant contrast ) promiscuously interested in how differently different characters think or feel about their respective ...
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... King Hamlet's reliance on single combat and King Claudius's preference for diplomacy and Realpolitik, or between Richard II and Bolingbroke, or Hector and Ulysses, or Mark Antony and Octavius Caesar. In the latter part of the Meiji ...
... King Hamlet's reliance on single combat and King Claudius's preference for diplomacy and Realpolitik, or between Richard II and Bolingbroke, or Hector and Ulysses, or Mark Antony and Octavius Caesar. In the latter part of the Meiji ...
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... King Lear speaks of unaccommodated man in prose, or when Othello is so shamingly confined to prose throughout the eavesdropping scene, these characters are not choosing to speak prose. Shakespeare's characters can never do that, because ...
... King Lear speaks of unaccommodated man in prose, or when Othello is so shamingly confined to prose throughout the eavesdropping scene, these characters are not choosing to speak prose. Shakespeare's characters can never do that, because ...
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accentual-syllabic verse acting Akechi Mitsuhide Atsumori Bunraku Caesar Cambridge characters Claudius Claudius's Diary contemporary course critics culture Dazai Deguchi director Elizabethan English essay feel film Fortinbras Fukuda Tsuneari Gertrude ghost happened Hashiba Hideyoshi Horatio I-novel Ibid Ibsen Japan Japanese audience Japanese translator joruri Kabuki Kabuki actors King Lear Kishi Kobayashi Kurosawa Kyogen language later lexical stress literary Macbeth meaning modern Mousetrap murdered narrator never Ninagawa Nishi Noh drama Noh play novelist Ooka Ophelia original version Othello performance poetic drama political Polonius prince Prince Hamlet productions of Shakespeare puppet samurai says scene seems sense Shake Shakespeare in Japan Shakespeare's play Shiga Shiga Naoya Shingeki actors Shoyo's version soliloquy sound speech stage story Suematsu Suzuki Suzuki Tadashi syllabic verse syllables Tetsuo Throne of Blood Tokyo Toyama traditional Japanese theatre translating Shakespeare translations of Shakespeare Tsubouchi Shoyo understand University Press visual Wada wanted Western witches words