Shakespeare in JapanA&C Black, 2005 M03 10 - 166 páginas Since the late Meiji period, Shakespeare has held a central place in Japanese literary culture. This account explores the conditions of Shakespeare's reception and assimilation. It considers the problems of translation both cultural and linguistic, and includes an extensive illustrated survey of the most significant Shakespearean productions and adaptations, and the contrasting responses of Japanese and Western critics. |
Dentro del libro
Resultados 1-5 de 62
Página ix
... Hamlet to examine what happened when two cultures met . They are by no means the only works Japanese authors have produced using Shakespeare as the raw material , but we think they provide sufficient information to consider this ...
... Hamlet to examine what happened when two cultures met . They are by no means the only works Japanese authors have produced using Shakespeare as the raw material , but we think they provide sufficient information to consider this ...
Página x
... Hamlet is a study of ' a man who could not make up his mind ' – since , in Olivier's quasi - Freudian view , Hamlet's mind was made up long before he was a man . This view , and the idea that in - depth psychological analyses take ...
... Hamlet is a study of ' a man who could not make up his mind ' – since , in Olivier's quasi - Freudian view , Hamlet's mind was made up long before he was a man . This view , and the idea that in - depth psychological analyses take ...
Página xi
... Hamlet is a no less valuable , sometimes corrective , stimulus to thinking about Hamlet and Hamlet . This is not least because Prince Hamlet is seldom concerned to discover or establish what those he loves think and feel like the ...
... Hamlet is a no less valuable , sometimes corrective , stimulus to thinking about Hamlet and Hamlet . This is not least because Prince Hamlet is seldom concerned to discover or establish what those he loves think and feel like the ...
Página 3
... Hamlet's reliance on single combat and King Claudius's preference for diplomacy and Realpolitik, or between Richard ... Hamlet. Or, as Coleridge would say, Hamlet found them. In these and other ways, the cultural moment for this first ...
... Hamlet's reliance on single combat and King Claudius's preference for diplomacy and Realpolitik, or between Richard ... Hamlet. Or, as Coleridge would say, Hamlet found them. In these and other ways, the cultural moment for this first ...
Página 4
... Hamlet. But they, like almost all of their Western contemporaries, could not but be unaware of how remote the performances and productions of actor-managers like Booth or Irving were from whatever Burbage did and from Eliza- bethan ...
... Hamlet. But they, like almost all of their Western contemporaries, could not but be unaware of how remote the performances and productions of actor-managers like Booth or Irving were from whatever Burbage did and from Eliza- bethan ...
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accentual-syllabic verse acting Akechi Mitsuhide Atsumori Bunraku Caesar Cambridge characters Claudius Claudius's Diary contemporary course critics culture Dazai Deguchi director Elizabethan English essay feel film Fortinbras Fukuda Tsuneari Gertrude ghost happened Hashiba Hideyoshi Horatio I-novel Ibid Ibsen Japan Japanese audience Japanese translator joruri Kabuki Kabuki actors King Lear Kishi Kobayashi Kurosawa Kyogen language later lexical stress literary Macbeth meaning modern Mousetrap murdered narrator never Ninagawa Nishi Noh drama Noh play novelist Ooka Ophelia original version Othello performance poetic drama political Polonius prince Prince Hamlet productions of Shakespeare puppet samurai says scene seems sense Shake Shakespeare in Japan Shakespeare's play Shiga Shiga Naoya Shingeki actors Shoyo's version soliloquy sound speech stage story Suematsu Suzuki Suzuki Tadashi syllabic verse syllables Tetsuo Throne of Blood Tokyo Toyama traditional Japanese theatre translating Shakespeare translations of Shakespeare Tsubouchi Shoyo understand University Press visual Wada wanted Western witches words