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LINCOLN ON LINCOLN

Excerpts from Lincoln’s autobiographical writings, some quite brief, selected, edited, and annotated by Zall, a senior researcher at the Huntington Library. Zall wants these passages culled from letters and other sources to provide “a story of Lincoln’s life in his own words.” Unfortunately, the 16th president was not loquacious, certainly not about his quotidian life, so he reveals little. As Zall admits, “He was not the kind of person to bare his soul in public or in private.” We do learn to share the young Lincoln’s excitement when he earns his first dollar; we cringe as he consents to sew shut the eyes of some intransigent hogs; we laugh at some of the doggerel he composes about his rural background (“When first my father settled here, / “Twas then the frontier line: / The panther’s scream, filled night with fear / And bears preyed on the swine”); we admire him for his stand on slavery (the sight of slaves was “a continual torment to me,” he notes); and we tremble with the dramatic irony of a vision he has in late 1860: in the mirror he sees a faint second image alongside the first, and his wife believes it’s a dark harbinger of his death. Zall reminds us that Lincoln won only 40 percent of the popular vote in 1860, that he freed slaves only in the states that had seceded, that he was in some ways a reluctant candidate. What does not emerge in these excerpts, however, is any sense of why Lincoln came to be who he was. Why did he not simply remain a farmer? Why did he struggle so hard to educate himself? Why did he want to enter politics? Whence his fierce humanism? Abe may have been honest, but about his own character, he was none too candid. A collection that casts a strong light, but so much of it falls behind the president that shadows obscure his face—and much of his character.

Pub Date: Oct. 1, 1999

ISBN: 0-8131-2141-8

Page Count: 208

Publisher: Univ. Press of Kentucky

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1999

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE DISTANCE BETWEEN US

A MEMOIR

A standout immigrant coming-of-age story.

In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.

Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”

A standout immigrant coming-of-age story.

Pub Date: Aug. 28, 2012

ISBN: 978-1-4516-6177-4

Page Count: 320

Publisher: Atria

Review Posted Online: June 11, 2012

Kirkus Reviews Issue: July 1, 2012

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