by Edward P. Lazarus ‧ RELEASE DATE: May 1, 1998
Justice Oliver Wendell Holmes’s tart description of Supreme Court deliberations—“nine scorpions in a bottle”—has seldom seemed more apt than in this scathing tell-all screed about the Rehnquist Court from Lazarus (Black Hills/White Justice, 1991), now an L.A. federal prosecutor. As a clerk of former Justice Harry Blackmun in the 1988—89 term, Lazarus came to feel that infighting between its conservative and liberal divisions had “corroded [its] institutional culture and driven the Justices to disregard the principles of decision-making—deliberation, integrity of argument, self-restraint—that separate the judicial function from the exercise of purely political power.” He focuses on the Court’s decisions on capital punishment, race relations, and abortion to demonstrate how its comity has become strained. During this time, the politicization of the confirmation process, as evidenced in the Robert Bork and Clarence Thomas nominations, was mirrored in the Court’s chambers’sometimes in subtle ways (Sandra Day O’Connor was believed to have stopped joining William Brennan in majority opinions for having tricked her in an unnamed case), sometimes in argument (a shoving match between a conservative and liberal clerk). Only other participants can confirm Lazarus’s sensational charges (e.g., that clerks were ceded unwarrantably large roles in crafting Court opinions, and that conservative “cabalists” manipulated Anthony Kennedy into early votes in death penalty appeals because of his reluctance to cast the deciding vote to ensure an execution). His admitted liberalism can be glimpsed, as in his invariable depiction of liberals as “scrupulous,” “compassionate,” and the like. But his analysis of Court opinions is even-handedly critical. Conservatives, prodded by the brilliant but nasty Antonin Scalia, pushed states— rights at every turn. Octogenarian liberals (Blackmun, Brennan, and Thurgood Marshall) fell to name-calling and hypocrisy in abandoning principle to gain victory. Today’s badly splintered justices, he claims, no longer speak as one institutional voice. This memoir’s revelations—based on reporting as well as personal experience—may obscure its less controversial but more thoughtful analysis of the Rehnquist Court’s poisonous “politics of certainty.” (8 pages b&w photos, not seen)
Pub Date: May 1, 1998
ISBN: 0-8129-2402-9
Page Count: 576
Publisher: Times/Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1998
Share your opinion of this book
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Share your opinion of this book
More by E.T.A. Hoffmann
BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
Share your opinion of this book
More by Ludwig Bemelmans
BOOK REVIEW
developed by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.