Pastiches, parodies and other imitations = : Pastiches, parodies et autres imitations

PART 1: Parody and Pastiche1. S.E. Gontarski: STYLE AND THE MAN: Samuel Beckett and the Art of Pastiche2. Véronique Le Gall: “CARCASSE ET DERAISON”: La Nature Morte3. Michael D’Arcy: THE TASK OF THE LISTENER: Beckett, Proust, and Perpetual Translation4. Chris Ackerley: LASSATA SED: Samuel Beckett's Portraits of his Fair to Middling Women5. Florence Godeau: MOLLOY AUX MILLE TOURS6. Julie Campbell: MORAN AS SECRET AGENT7. Steve Barfield and Philip Tew: PHILOSOPHY, PSYCHOANALYSIS AND PARODY: Exceedingly Beckett8. Michèle Touret: LES FLEURS ET LES ORTIES: La Parodie des Formes Communes9. Paul Shields: SONS OF DISORDER: Thomas Carlyle, Samuel Beckett and the Travesty of Great Men10. Sue Wilson: KRAPP’S LAST TAPE AND THE MANIA OF MANICHAEISM11. Sophie Ratcliffe: SAVAGE LOVING: Beckett, Browning and The Tempest12. Sinead Mooney: “AN ATROPOS ALL IN BLACK” OR ILL SEEN WORSE TRANSLATED: Beckett, Self-Translation and the Discourse of Death13. Véronique Védrenne: D’UNE SCÈNE A L'AUTRE: MAY B. de Maguy Marin. Une Choréegraphie de l’Univers Scénique de Samuel BeckettPART 2: Free Space14. Yoshiki Tajiri: THE MECHANIZATION OF SEXUALITY IN BECKETT'S EARLY WORK15. David Hayman: CONTINUING NOW: Crisis Enjambments in the Watt Manuscripts16. Matthew Feldman: “I INQUIRED INTO MYSELF”: Beckett, Interpretation. Phenomenology?17. Lois Oppenheim: DISTURBING THE FEASIBLE: Object Representation in “Three Dialogues with Georges Duthuit”18. Deborah Weagel: SILENCE IN JOHN CAGE AND SAMUEL BECKETT: 4' 33 and Waiting for Godot19. Eric P. Levy: DISINTEGRATIVE PROCESS IN ENDGAME20. Nic. van der Toorn: NAGG ET NELL, TANDEM IMMOBILE: Analyse de Quelques Effets Sonores et Visuels dans Fin de Partie21: Paul Kintzele: PIM'S PROGRESS: The Trouble with Language in How It Is22. Michael Maier: GEISTERTRIO: Beethoven's Music in Samuel Beckett's Ghost Trio (Part 2)