...Which then re-clothed in divers names and fates Steal access through our senses to our minds." • Finally, good sense is the body of poetic genius,...everywhere, and in each; and forms all into one graceful io'i and intelligent whole. . CHAPTER V. The specific symptoms of poetic power elucidated in a critical...

...kinds; j Which then re-clothed in divers names and fates Steal access through our senses to our minds." Finally, good sense is the body of poetic genius,...motion its life, and imagination the soul that is everywrh re, and in each ; and forms all into one graceful •10 and int." <gent whole. CHAPTER V....

...at its best — obedient, pertinent, at once imaginative and restrained — as in the conclusion — "Finally, good sense is the body of poetic genius,...forms all into one graceful and intelligent whole." The prose of Sidney's Apologie is Sidney's best ; and when that has been said, nothing remains but...

...kinds ; Which then re-clothed in divers names and fates Steal access through our senses to our minds. Finally, good sense is the body of poetic genius,...forms all into one graceful and intelligent whole. In the application of these principles to purposes of practical criticism as employed in the appraisal...

...seen at its best—obedient, pertinent, at once imaginative and restrained—as in the conclusion— " Finally, good sense is the body of poetic genius,...forms all into one graceful and intelligent whole." The prose of Sidney's Apologia is Sidney's best; and when that has been said, nothing remains but to...

...discriminating between Fancy and Imagination, and then revealing the true nature of poetry, where he says: "Finally, good sense is the body of poetic genius,...forms all into one graceful and intelligent whole." He then apparently assents to the most obvious accusations of the Reviewers, only to rise at last to...

...between Fai d Imagination, and then revealing the true nature of poetry, where he says: " Finally, od sense is the body of poetic genius, fancy its drapery, motion its life, and imagination 5 soul that is everywhere, and in each; and forms all into one graceful and intelligent tule." He then...

...each, by the synthetic and magical power of imagination," reconciling differences and opposites. " Finally, good sense is the body of poetic genius, fancy its drapery, emotion its life, and imagination the soul." In the fifteenth and sixteenth the author turns with evident...

...better standard of poetic excellence has ever been promulgated than that of Coleridge, who says: — "Good sense is the body of poetic genius, fancy its...forms all into one graceful and intelligent whole." With this to guide us, there becomes apparent at once the vast gulf between the true poet and the correct...

...kinds; Which then re-clothed in divers names and fates Steal access through our senses to our minds. Finally, good sense is the body of poetic genius,...forms all into one graceful and intelligent whole. In the application of these principles to purposes of practical criticism as employed in the appraisal...