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" I consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree and in the mode of its operation. It dissolves, diffuses, dissipates, in order to... "
The American Whig Review - Página 177
1848
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Calcutta Review

1921 - 362 páginas
...consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree and in the mode of its operation ". Thee primary imagination is the basic condition which seeks to explain why we have a world of experience....
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The Way of the Makers

Marguerite Wilkinson - 1925 - 346 páginas
...consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only...to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. Fancy, on the contrary, has no other...
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Studies in Philology, Volumen23

1926 - 508 páginas
...eternal act of creation in the infinite I AM. The secondary I consider as an echo of the former. ... It dissolves, diffuses, dissipates, in order to recreate;...to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead." 49 Compared with this creative power...
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English Prose Style

Herbert Read, Sir Herbert Edward Read - 1928 - 252 páginas
...consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only...to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. It is very difficult to apply this...
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The Making of Literature

Rolfe Arnold Scott-James - 1928 - 406 páginas
...the former, co-existing with the conscious will, yet still as identical with the primary in the k1nd of its agency, and differing only in degree, and in...to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has no other...
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English Prose Style

Herbert Read, Sir Herbert Edward Read - 1928 - 262 páginas
...consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree^ 152 and in the mode of its operation. It dissolves, diffuses, dissipates, in order to recreate : or...
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The Atlantic Monthly, Volumen76

1895 - 954 páginas
...consider as an echo of the former, coexisting with the conscious will, yet as still identical with the primary in the kind of its agency, and differing only...dissolves, diffuses, dissipates, in order to recreate ; or when this process is rendered impossible, yet still at all events it struggles to idealize and to unify....
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The Atlantic Monthly, Volumen76

1895 - 896 páginas
...consider as an echo of the former, coexisting with the conscious will, yet as still identical with the primary in the kind of its agency, and differing only...dissolves, diffuses, dissipates, in order to recreate ; or when this process is rendered impossible, yet still at all events it struggles to idealize and to unify....
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The Creative Matrix of the Origins: Dynamisms, Forces and the Shaping of Life

Anna-Teresa Tymieniecka - 2002 - 452 páginas
...hand. is "un echo of the former, coexisting with the conscious will. yet still as idemical with the primary in the kind of its agency. and differing only in degree. and in the mode of its operation": this is the kind of imagination involved in artistic creation.1' And so in Dejection. when we are given...
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The Aesthetics of Enchantment in the Fine Arts, Volumen65

Marlies Kronegger, Anna-Teresa Tymieniecka - 2000 - 342 páginas
...consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree, and in the mode of its operation" (BL I: 304). 24 See (mmanuel Kanl. Kritik der Unteilskrafl. eg § 49 and § 53 for a discussion of...
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