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" I did once turn fresh-water sailor for a bit," that we knew we were fated, before the ebb began to run, to hear about one of Marlow's inconclusive experiences. "I don't want to bother you much with what happened to me personally... "
Blackwood's Edinburgh Magazine - Página 166
1899
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Reflections from the Heart of Educational Inquiry: Understanding Curriculum ...

George Willis, William Henry Schubert - 1991 - 388 páginas
...has a lot to do with losing our readers! The same listener also says about Marlow's beginning, Xve knew we were fated, before the ebb began to run, to...hear about one of Marlow's inconclusive experiences.' " "Is that your way of telling me I am being too abstract?" "Only partly. Despite my teasing, I admit,...
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Conrad's Fiction as Critical Discourse

Richard Ambrosini - 1991 - 253 páginas
...tale" (7", vii). Marlow makes this concern explicit in "Heart of Darkness" when he warns his audience, "I don't want to bother you much with what happened to me personally." But they must know the events of the story "to understand the effect of it" on him (F, 51). The way...
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Rereading the New: A Backward Glance at Modernism

Kevin J. H. Dettmar - 1992 - 385 páginas
...Conrad foregrounds and reflects upon the ethics of representation as embedded within narrative ("4I don't want to bother you much with what happened to...unaware of what their audience would best like to hear" [7]). But the response to such reflections is an awareness of the world characterized by a radical...
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Dialogue and Literature: Apostrophe, Auditors, and the Collapse of Romantic ...

Michael Macovski - 1994 - 256 páginas
...as the two rivers in Marlow's story (3, 38). And indeed, as his story begins, we learn that we are "fated, before the ebb began to run, to hear about one of Marlow's inconclusive experiences" (7); clearly, the tale is only "one of many that constitute a perpetual process of exposure. Even at...
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Joseph Conrad and the Anthropological Dilemma: "bewildered Traveller"

John Wylie Griffith - 1995 - 248 páginas
...an altered version of his own experiences in Africa for his Victorian audience through the novella: 'I don't want to bother you much with what happened to me personally (...) yet to understand the effect of it on me you ought to know how I got there, what I saws how I...
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Under Postcolonial Eyes: Joseph Conrad After Empire

Gail Fincham, Myrtle Hooper - 1996 - 216 páginas
...towards Marlow for claiming the right to narrate. When Marlow starts talking, the narrator remarks: "we knew we were fated, before the ebb began to run,...hear about one of Marlow's inconclusive experiences" (11). Two of the interruptions in Marlow's monologue reinforce the impression of a lack of reciprocity...
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Collaborative Circles: Friendship Dynamics and Creative Work

Michael P. Farrell - 2003 - 328 páginas
...the British empire: I suppose you fellows remember I did once turn fresh-water sailor for a bit. ... I don't want to bother you much with what happened to me personally . . . yet to understand the effect of it on me you ought to know how I got there, what I saw, how I...
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An Aesthetics of Morality: Pedagogic Voice and Moral Dialogue in Mann, Camus ...

John Krapp - 2002 - 220 páginas
...silence, when he said in a hesitating voice, "I suppose you fellows remember I did once turn fresh-water sailor for a bit," that we knew we were fated, before...hear about one of Marlow's inconclusive experiences. Joseph Conrad, Heart of Darkness Few critical studies of Joseph Conrad's literary corpus fail to somehow...
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The Literary Wittgenstein

John Gibson, Wolfgang Huemer - 2004 - 356 páginas
...we may appreciate more fully that first narrator's early misgivings about Marlow's way of talking: "we knew we were fated, before the ebb began to run,...hear about one of Marlow's inconclusive experiences" (51). For syntactic conclusion or completion seems necessary to the apprehension that words can point...
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Conrad's Marlow: Narrative and Death in 'Youth', Heart of Darkness, Lord Jim ...

Paul Wake - 2007 - 160 páginas
...stories that he hears. There is almost an audible groan when, in Heart of Darkness, the narrator says, 'we knew we were fated, before the ebb began to run, to hear about one of Marlow's inconclusive experiences.'51 Similarly there is a certain sense of goodnatured weariness when the narrator of Lord...
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