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" Most wretched men Are cradled into poetry by wrong, They learn in suffering what they teach in song. "
Broadstone of Honor - Página 248
por Kenelm Henry Digby - 1826 - 311 páginas
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Englisches Theater der Gegenwart: Geschichte(n) und Strukturen

Klaus Peter Müller - 1993 - 544 páginas
...nichts tue. Brenton legt Byron Verse aus Shelleys Julian and Maddalo in den Mund: "Most wretched men/ Are cradled into poetry by wrong,/ They learn in suffering what they teach in song." Howard glaubt, Byron/Shelley sagen, daß Ungerechtigkeit und Inhumanität die 'meisten unglücklichen...
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The Selected Poetry & Prose of Shelley

Percy Bysshe Shelley - 1994 - 692 páginas
...were called poetry; And 1 remember one remark which then Maddalo made. He said: 'Most wretched men Are cradled into poetry by wrong: They learn in suffering what they teach in song.' If I had been an unconnected man, I, from this moment, should have formed some plan Never to leave...
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Romanticism and the Androgynous Sublime

Warren Stevenson - 1996 - 153 páginas
...likewise. Byron-Maddalo sees the madman as a sort of poet manqu6: [Maddalo] said: 'Most wretched men Are cradled into poetry by wrong, They learn in suffering what they teach in song.' (544-56) Julian-Shelley remarks upon the "deep tenderness" that the maniac has wrought within him....
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The Plays of Lord Byron: Critical Essays

Robert F. Gleckner, Beatty Gleckner, Bernard G. Beatty - 1997 - 399 páginas
...Count Maddalo (Byron) indicates the psychological aspect of it when he tells Julian: Most wretched men Are cradled into poetry by wrong, They learn in suffering what they teach in song. (Julian and Maddalo, 11. 544-46) For Byron, this myth is epitomized in the repeated 'falls' which centre...
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The Solitary Self: Jean-Jacques Rousseau in Exile and Adversity

Maurice Cranston - 1999 - 271 páginas
...'anti-hero', the victim, the man of sorrows like Rousseau himself. Poets, claimed a later Romantic Shelley, are cradled into poetry by wrong; They learn in suffering what they teach in song . . . Byron too saw Rousseau as a kindred spirit, describing him as 'the apostle of affliction'. Rousseau...
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Intellectus Gratiae: Die Erkenntnistheoretische Und Hermeneutische Dimension ...

Josef Lössl - 1997 - 501 páginas
...Häresien. Augustin geht es hier demnach unter Voraussetzung biblischen 40 Conf. 6,16,26 (CChr.SL 27, 90): tibi laus, tibi gloria, fons misericordiarum! ego fiebam miserior et tu propinquior. 41 Conf. 7,1,1.4,6 (CChr.SL 27, 92.95). 42 Conf. 7,7,11 (CChr.SL 27, 99f.). An der Entstehungsgeschichte...
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Land of the Golden Clouds

Archie Weller - 1999 - 378 páginas
...Light calls out for another song, for the youth seems enraptured by his poetry. 253 Most wretched men Are cradled into poetry by wrong; They learn in suffering what they teach in song, the old man begins in ominous tones. She is reminded of the better storytellers of her home when they...
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Mirrors of Our Playing: Paradigms and Presences in Modern Drama

Thomas R. Whitaker - 1999 - 309 páginas
...madman. And when Bysshe utters the words left in Julian's mind by Count Maddalo — Most wretched men Are cradled into poetry by wrong. They learn in suffering what they teach m song ("Julian and Maddalo" II. N44-4-'i) — we hear behind them a mad laughter that is also Byron's....
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A Book of Scattered Leaves: Poetry of Poverty in Broadside Ballads ..., Volumen1

James G. Hepburn - 2000 - 671 páginas
...England Take physic, pomp; Expose thyself to feel what wretches feel. — Shakespeare Most wretched men Are cradled into poetry by wrong, They learn in suffering what they teach in song. —Shelley On summer nights — such nights as these — We're troubled very much with fleas. They...
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The Astrological Neptune and the Quest for Redemption

Liz Greene - 2000 - 528 páginas
...anti-hero, the victim, the man of sorrows like Rousseau himself. Poers, claimed Shelley, a larer Romantic, are: . . . cradled into poetry by wrong: They learn in suffering what they teach in song.2} Rousseau's ideas spread to Germany, where the Romantic Movement found irs most powerful, eloquent,...
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