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" Most wretched men Are cradled into poetry by wrong, They learn in suffering what they teach in song. "
Broadstone of Honor - Página 248
por Kenelm Henry Digby - 1826 - 311 páginas
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Shelley Among Others: The Play of the Intertext and the Idea of Language

Stuart Peterfreund - 2002 - 406 páginas
...That contention is reprised in part after the encounter by Maddalo, who holds that Most wretched men Are cradled into poetry by wrong, They learn in suffering what they teach in song. (11. 544-46) The wrong done to Maddalo's powerless subjects, the Maniac chief among these, whose suffering...
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Das Paradox: eine Herausforderung des abendländischen Denkens

Roland Hagenbüchle - 2002 - 671 páginas
...his grief was high,/ Such as in measure were called poetry." As Maddalo puts it, "'Most wretched men/ Are cradled into poetry by wrong./ They learn in suffering what they teach in song'" (541-46). Both weep without shame; they forget their argument. Julian's position is nevertheless compromised...
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Das Paradox: eine Herausforderung des abendländischen Denkens

Roland Hagenbüchle - 2002 - 671 páginas
...his grief was high,/ Such as in measure were called poetry." As Maddalo puts it, "'Most wretched men/ Are cradled into poetry by wrong./ They learn in suffering what they teach in song'" (541-46). Both weep without shame; they forget their argument. Julian's position is nevertheless compromised...
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Felicia Hemans: Selected Poems, Prose and Letters

Felicia Hemans - 2002 - 498 páginas
...medicinal herb. 2 »novel (1825) by Walter Scott. 3 Shelley, "Julian and Maddalo," "Most wretched men / Are cradled into poetry by wrong, / They learn in suffering what they teach in song" (544-46), lines used by Hemans as epigraph to "The Diver." "Mourn rather for that holy spirit, Mild...
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Algernon Charles Swinburne: Major Poems and Selected Prose

Algernon Charles Swinburne - 2004 - 498 páginas
...throughout the nineteenth century and most famously articulated, perhaps, by Shelley: "Most wretched men /Are cradled into poetry by wrong, / They learn in suffering what they teach in song." Although the title recalls Petrarch's celebrated sequence of Trionfi, its most immediate locus of attention...
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How to Get on in the World, Or a Ladder to Practical Success

A. R. Calhoun - 2005 - 300 páginas
...means to evoke the highest development of their genius. Shelley has said of poets : "Most wretched men are cradled into poetry by wrong, They learn in suffering what they teach in song." But the young man meeting with disappointments, as he is sure to do in the beginning of his career,...
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Romanticism and Religion from William Cowper to Wallace Stevens

Gavin Hopps, Jane Stabler - 2006 - 262 páginas
...and best moments of the happiest and best minds - is inseparable from 'wrong': 'Most wretched men / Are cradled into poetry by wrong; / They learn in suffering what they teach in song' (11. 544-6). Maddalo's assertion is 'unanswerable' because - to its enduring credit - the poem finds...
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Why Classical Music Still Matters

Lawrence Kramer - 2007 - 242 páginas
...in its modernism, turns the embrace of suffering into a heroic adventure. Most men, wrote Shelley, "are cradled into poetry by wrong, / They learn in suffering what they teach in song." What the Schubert song cycles suggest is that song reveals, or perhaps actually produces, a power over...
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