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" The barge she sat in, like a burnish'd throne, Burn'd on the water: the poop was beaten gold; Purple the sails, and so perfumed that The winds were love-sick with them; the oars were silver, Which to the tune of flutes kept stroke, and made The water... "
The works of Virgil, closely rendered into Engl. rhythm and illustr. from ... - Página 355
por Publius Vergilius Maro - 1855
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The juvenaile poetical library; selected from the works of modern British ...

Priscilla Maden Watts - 1839 - 286 páginas
...were love-sick with them : the oars were silver ; Which to the tune of flutes kept stroke, and made The water which they beat to follow faster, As amorous of their strokes. SH»KSPEAEE. FLUTES in the sunny air ! And harps in the porphyry halls ! And a low, deep hum — like...
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Rowing Against the Current: On Learning to Scull at Forty

Barry Strauss - 2001 - 180 páginas
...winds were love-sick with them; the oars were silver, Which to the tune of flutes kept stroke and made The water which they beat to follow faster, As amorous of their strokes. (Antony and Cleopatra, II, ii) The Romans enjoyed boat races and also mock naval battles. The emperor...
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The Shakespearian Tempest: With a Chart of Shakespeare's Dramatic Universe

G. Wilsin Knight - 2002 - 368 páginas
...winds were love-sick with them; the oars were silver, Which to the tune of flutes kept stroke, and made The water which they beat to follow faster, As amorous...beggar'd all description: she did lie In her pavilion— doth-of-gold of tissue — O'er-picturing that Venus where we see The fancy outrwork nature: on each...
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The Imperial Theme

George Wilson Knight - 2002 - 396 páginas
...winds were love-sick with them; the oars were silver, Which to the tune of flutes kept stroke, and made The water which they beat to follow faster, As amorous...beggar'd all description: she did lie In her pavilion — cloth-of-gold of tissue — O'er-picturing that Venus where we see The fancy outwork nature: on...
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Shakespeare Survey, Volumen23

Kenneth Muir - 2002 - 216 páginas
...throne, / Burn'd on the water' (II, ii, 199-200). The text continues with an explicit reference to Venus: For her own person It beggar'd all description: she...did lie In her pavilion — cloth of gold, of tissue — O'er picturing that Venus where we see The fancy outwork nature. (lines 205-9) Plutarch, from whom...
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Gendered spaces: Wandel des "Weiblichen" im englischen Diskurs der frühen ...

Martina Mittag - 2002 - 280 páginas
...were love-sick with them; the oars were silver,/ Which to the tune of flutes kept stroke, and made/ The water which they beat to follow faster,/ As amorous of their strokes. For her own person,/ It bcggar'd all description: she did lie/ In her pavilion - cloth-of-gold of tissue — / O'er-picturing...
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Shakespeare's Tragic Skepticism

Millicent Bell - 2002 - 316 páginas
...winds were lovesick with them. The oars were silver, Which to the tune of flutes kept stroke, and made The water which they beat to follow faster, As amorous of their strokes. For her own person, It beggared all description: she did lie In her pavilion — cloth of gold, of tissue — O'erpicturing...
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Shakespeare: For All Time

Stanley Wells - 2003 - 494 páginas
...winds were love-sick with them. The oars were silver. Which to the tune of flutes kept stroke, and made The water which they beat to follow faster, As amorous of their strokes. For her own person. It beggared all description. She did lie In her pavilion - cloth of gold, of tissue O'er-picturing that...
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The Cambridge Companion to Shakespearean Tragedy

Claire McEachern - 2002 - 310 páginas
...winds were love-sick with them; the oars were silver, Which to the tune of flutes kept stroke, and made The water which they beat to follow faster, As amorous of their strokes. For her own person, It beggared all description: she did lie In her pavilion - cloth of gold, of tissue O'er-picturing that...
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Speech and Performance in Shakespeare's Sonnets and Plays

David Schalkwyk - 2002 - 284 páginas
...scattered body, but as an ineffable potency which lies beyond the power and limits of representation: 'For her own person, / It beggar'd all description: she did lie / In her pavilion . . . / O'er-picturing that Venus where we see / The fancy outwork nature' (2.2.204 8). Which is to...
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