 I'll leave you till night: you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But...  Elocution: Or, Mental and Vocal Philosophy - Página 190por C. P. Bronson - 1845 - 323 páginasVista completa - Acerca de este libro
 | William Shakespeare - 2001 - 494 páginas
...not men^ tally affected. 523. peasant slave] It is shown by FURNIVALL in M. 6» Qu. 12 April and 3Is it not monstrous that this player here, But in a fiction, in a dream of passion, 525 Could force his soul so to his own conceit That from her working all his visage wann'd ; Tears... | |
 | William Shakespeare - 2002 - 244 páginas
...that's villanous, and shows a most pitiful ambition in the fool that uses it. Hamlet— Hamlet III.ii O, what a rogue and peasant slave am I! Is it not...his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting... | |
 | Herbert Blau - 2002 - 378 páginas
...Karen. Julie is staring over Peter's arm as he holds Denise: JUL: Your sister's dead, Laertes. MAR: Is it not monstrous that this player here, But in...passion, Could force his soul so to his own conceit . . . JUL: There is a willow grows aslant a brook, That shows his hoar leaves in the glassy stream.... | |
 | William Shakespeare - 1995 - 340 páginas
...you. Exeunt Rosentrantz and GuHJenstern Now I ara alone.. O, what a rogue and peasant slave am 1 1 Is it not monstrous that this player here, But in...passion, Could force his soul so to his own conceit 550 That from her working all his visage wanned, , Tears in bis eyes, distraction in his aspect, A... | |
 | John O. Whitney, Tina Packer - 2002 - 321 páginas
...all have cause. Don't be an auditor. Be an actor. 165 7 Lend Me Your Ears The Art of ' Perj nation Is it not monstrous that this player here, But in...passion, Could force his soul so to his own conceit . . . Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | Ewan Fernie - 2002 - 298 páginas
...for a fiction while he can 'say nothing' for a murdered king, but he needs action, not pity or words. 'Is it not monstrous that this player here, / But...passion, / Could force his soul so to his own conceit' (2.2.545-7) reads first as a disgusted condemnation of the kind of synthetic ecstasy he requires to... | |
 | P. E. Easterling, Edith Hall - 2002 - 550 páginas
...manner in which one of the leading players has impersonated Hecuba's grief, soliloquises (558-67): Is it not monstrous, that this player here. But in...a dream of passion, Could force his soul so to his whole conceit, That, from her working, all his visage wann'd; Tears in his eyes, distraction in 's... | |
 | Patrick Tucker - 2002 - 316 páginas
...still great examples of half-lines: HAMLET: O what a togue and peasant slave am I! Is it not monsttous that this player here, But in a fiction, in a dream...passion, Could force his soul so to his own conceit That ftom her working all his visage wann'd, Tears in his eyes, disttaction in his aspect, A htoken voice,... | |
 | Kenneth Muir - 2002 - 212 páginas
...whips himself into a heat of passion: Is it not monstrous that this player here, But in a f1ction, in a dream of passion, Could force his soul so to...own conceit, That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | David Lee Miller - 2003 - 268 páginas
...go backward." Later in the same scene Hamlet marvels at the transformative powers of make-believe: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function suiting... | |
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