 | P. E. Easterling, Edith Hall - 2002 - 550 páginas
...passion, Could force his soul so to his whole conceit, That, from her working, all his visage wann'd; Tears in his eyes, distraction in 's aspect, A broken...forms to his conceit? And all for nothing? For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? Hamlet goes on to ask what this... | |
 | Ewan Fernie - 2002 - 298 páginas
...for a fiction while he can 'say nothing' for a murdered king, but he needs action, not pity or words. 'Is it not monstrous that this player here, / But...passion, / Could force his soul so to his own conceit' (2.2.545-7) reads first as a disgusted condemnation of the kind of synthetic ecstasy he requires to... | |
 | Herbert Blau - 2002 - 378 páginas
...Karen. Julie is staring over Peter's arm as he holds Denise: JUL: Your sister's dead, Laertes. MAR: Is it not monstrous that this player here, But in...passion, Could force his soul so to his own conceit . . . JUL: There is a willow grows aslant a brook, That shows his hoar leaves in the glassy stream.... | |
 | William Shakespeare - 1995 - 340 páginas
...you. Exeunt Rosentrantz and GuHJenstern Now I ara alone.. O, what a rogue and peasant slave am 1 1 Is it not monstrous that this player here, But in...passion, Could force his soul so to his own conceit 550 That from her working all his visage wanned, , Tears in bis eyes, distraction in his aspect, A... | |
 | John O. Whitney, Tina Packer - 2002 - 321 páginas
...all have cause. Don't be an auditor. Be an actor. 165 7 Lend Me Your Ears The Art of ' Perj nation Is it not monstrous that this player here, But in...passion, Could force his soul so to his own conceit . . . Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | K. H. Anthol - 2003 - 344 páginas
...Guildenstern.] Ham. Ay, so, God buy ye. — Now I am alone. O, what a rogue and peasant slave am I! 576 Is it not monstrous that this player here, But in...[own] conceit That from her working all his visage [wann'd], 580 Tears, in his eyes, distraction in 's aspect, A broken voice, and his whole function... | |
 | Antonio R. Damasio - 2003 - 372 páginas
...wonder at the player's capability of conjuring up emotion in spite of having no personal cause for it. "Is it not monstrous that this player here, but in...own conceit, that from her working all his visage waned, tears in his eyes, distraction in his aspect, a broken voice, and his whole form suiting with... | |
 | David Lee Miller - 2003 - 268 páginas
...go backward." Later in the same scene Hamlet marvels at the transformative powers of make-believe: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function suiting... | |
 | Ralph Twentyman - 2004 - 136 páginas
...results? Shakespeare's Hamlet certainly found that this was so: O, what a rogue and peasant slave am I! Is it not monstrous that this player here, But...his own conceit That from her working all his visage wann'd; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting... | |
 | Kathy Elgin - 2005 - 40 páginas
...in this way. In the floor of the stage was a trap-door, through which devils or ghosts could appear. Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wann'd. HAMLET, ACT 2, SCENE 2 but: only concert: thing he was imagining visage: face wann'd: went... | |
| |
Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd ; Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function... 
