I consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to... The American Whig Review - Página 1571848Vista completa - Acerca de este libro
| John Sallis - 2000 - 262 páginas
...characterized as "co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree, and in the mode of its operation." In kind, it remains creative, a repetition of the repetition of divine creation. It differs only in... | |
| Dipesh Chakrabarty - 2000 - 324 páginas
...former, . . . identical with the primary in the kind of its agency, and differing only in degree and the mode of its operation. It dissolves, diffuses, dissipates, in order to recreate. ... It is essentially vital, even as all objects (as objects) are essentially fixed and dated." Coleridge's... | |
| Laurence Coupe - 2000 - 340 páginas
...dissolves, diffuses, dissipates, in order to recreate: or where this process is rendered impossible, yet at all events it struggles to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has... | |
| Frank Mehring - 2001 - 194 páginas
...the former, coexisting with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree, and in...struggles to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. 305 Emerson, „Gnothi Seauton".... | |
| Martin Travers - 2001 - 372 páginas
...the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree, and in...struggles to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. Fancy, on the contrary, has... | |
| Osman Durrani, Julian Preece - 2001 - 500 páginas
...co-existing with the conscious will, yet still as identical with the primary in the kind of its agency [...]. It dissolves, diffuses, dissipates, in order to re-create,...yet still at all events it struggles to idealize and unify.22 In the later twentieth century the relation between historical and poetic discourse has been... | |
| Osman Durrani, Julian Preece - 2001 - 500 páginas
...co-existing with the conscious will, yet still as identical with the primary in the kind of its agency [...]. It dissolves, diffuses, dissipates, in order to re-create,...or where this process is rendered impossible, yet stiü at all events it struggles to idealize and unify. :1 In the later twentieth century the relation... | |
| Hans Werner Breunig - 2002 - 356 páginas
...Artunterschied gelter, lassen: "The secondary I consider ... as identical with the primary in the kit?<J of its agency, and differing only in degree, and in the mode of its operation."1" Der Unterschied, den er dann zur 'fancy' aufzeigt, legt indessen durchaus einen Unterschied... | |
| Bernadette Malinowski - 2002 - 468 páginas
...the conscious will, yet still as identical with the primary in the kind of its agency, and dif fering only in degree, and in the mode of its operation....struggles to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has... | |
| Ian Balfour - 2002 - 372 páginas
...will, yet still identical with the primary in the kind of its agency, and differing only in degree, and the mode of its operation. It dissolves, diffuses,...struggles to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. (VII,1,304) In the readings... | |
| |