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" I consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to... "
The American Whig Review - Página 157
1848
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Coleridge's Notebooks: A Selection

Samuel Taylor Coleridge - 2002 - 296 páginas
...artist's shaping spirit is presumably what lies beneath the mention of 'struggle' in BL: the imagination 'dissolves, diffuses, dissipates, in order to re-create;...all events it struggles to idealize and to unify' (i. 304). 3i. The entry continues over the page with thoughts about RS's Curse ofKehama. 501 18. 80...
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An Introduction to the Philosophy of Art

Richard Eldridge - 2003 - 300 páginas
...the conscious will, yet still as identical with the primary in the kind of its agency, and different only in degree, and in the mode of its operation....struggles to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead.69 In characterizing primary...
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A Way of Seeing: Perception, Imagination, and Poetry

John Allison - 2003 - 180 páginas
...the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its operation. It dissolves, diffuses, dissipates,...yet still at all events it struggles to idealize and unify. It is essentially vital, even as all obfects (as objects) are essentially fixed and dead. Fancy,...
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Virginia Woolf: Her Art as a Novelist

Joan Bennett - 1945 - 198 páginas
...primary) "co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree and in...dissolves, diffuses, dissipates, in order to recreate " [Biographia Literaria c. xm] When Virginia Woolf discovered that life, as she saw it, and therefore...
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Monstrosities: Bodies and British Romanticism

Paul Youngquist - 2003 - 316 páginas
...the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree, and in the mode of its operation. (Works 7:1: 304) Although typically taken to establish the divine agency of imagination, this statement...
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Coleridge and Emerson: A Complex Affinity

Sanja Sostaric - 2003 - 364 páginas
...the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree, and in the mode of its operation" (CW 7,2: 304). Schelling similarly determined Coleridge's view of the relation between the two imaginations....
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Keats ou le sortilège des mots

Christian La Cassagnère, Université de Lyon II. Centre d'études et de recherches anglaises et nord-américaines. Centre du romantisme anglais - 2003 - 260 páginas
...l'imagination secondaire au chapitre 13 de Biiigruphia Literuria : << II dissolves, diffuses, dissipâtes, in order to re-create; or where this process is rendered impossible: yet still at ail evenls it struggles to idealize and to unify ». Nigel Leusk. éd.. Biographiti Literaria. London....
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Pensées de l'"un" dans l'histoire de la philosophie: études en hommage au ...

Werner Beierwaltes, Jean-Marc Narbonne, Alfons Reckermann - 2004 - 608 páginas
...the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree, and in...struggles to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has...
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Gaj: The End of Religion

Robert Sean Lewis (aka Rafiq) - 2004 - 153 páginas
...the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree, and in...all events it struggles to idealize and to unify." For Coleridge, human thought is "a repetition in the finite [human] mind of the eternal act of creation...
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The Scientifiction Novels of C.S. Lewis: Space and Time in the Ransom Stories

Jared Lobdell - 2014 - 204 páginas
...yet still as identical with the primary in the kind of its agency, and differing only in degree and the mode of its operation. It dissolves, diffuses,...all events it struggles to idealize and to unify." For Coleridge, then, the primary imagination is the ordinary agent of perception and consciousness;...
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