 | George Vandenhoff - 1867 - 448 páginas
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black; though, according to the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a... | |
 | Class-book - 1869 - 344 páginas
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black, though, according to the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a... | |
 | School board readers - 1872 - 328 páginas
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black, though, according to the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a... | |
 | 1872 - 556 páginas
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance, and elegance of shape, of which the human form is capable. Her hair was black, though, according to the fashion ol that age, she frequently wore borrowed locks, and of different colours. Her eyes were of... | |
 | Frederick A. Laing - 1873 - 262 páginas
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black, though, according to the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a... | |
 | John Edwin Nixon - 1874 - 148 páginas
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance, and elegance of shape12, of which the human form is capable ". Her hair was black, though, according to the fashion 5 of that age, she frequently wore borrowed12 locks, and of different colours. Her eyes were... | |
 | Charles Henri Schneider - 1875 - 328 páginas
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black, though, according to the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a... | |
 | Harvard University - 1876 - 554 páginas
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance, and elegance of shape, of which the human form is capable. Her hair was black, though, according to the fashion of that age, she frequently wore borrowed locks, and of different colors. Her eyes were of... | |
 | Samuel Austin Allibone - 1879 - 576 páginas
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance and elegance of shape Austin fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a... | |
 | Samuel Austin Allibone - 1879 - 582 páginas
...contouipormrr authors agree in ascribing to Mnry the utmost beauty of countenance and elegance of shape 1 tin fashion of that age, sho frequently wore birrowed locks, and of different colours. H«?r eyes were... | |
| |
Mary the utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black, though, according to the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a dark grey,... 
