 | George Gordon Byron Baron Byron - 1836 - 360 páginas
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance, and elegance of shape, of which the human form is capable. Her hair was black, though, according to the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a... | |
 | 1836 - 342 páginas
...contemporary authors agrce in ascribing to Mary the utmost beauty of countenance, and elegance of shape, of which the human form is capable. Her hair was black, though according to the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a... | |
 | William Russell - 1839 - 582 páginas
...contemporary authors agree in ascribing lo Mary the utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black : though, according to the fashion of the times, site frequently wore burrowed locks, and of different colours. Her eyes were... | |
 | Robert Chambers - 1844 - 738 páginas
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance and elegance of shape ose arts by which friendship may be gained. Kindness is preserved by a constant fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a... | |
 | William Robertson - 1844 - 620 páginas
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance, and elegance ot shape, of which the human form is capable. Her hair was black, though, according to the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a... | |
 | Robert Chambers - 1844 - 746 páginas
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance and elegance of shape ere, by his fire, The hermit sits alone. Though absent long, These forms of beau fashion of that nge, she frequently wore borrowed locks, and of different colours. Her eyes were a... | |
 | John Hall Hindmarsh - 1845 - 464 páginas
...contemporary a'uthors agre'e/ in ascrTbing to M'ary the utmost be'auty of countenance and ele'gance of sh'ape of which the human fo'rm/ is ca'pable. Her h'air was bla'ck, tho'ugh (according to the fashion of that a'ge) she frequently wore borrowed lo'cks, and of different co'lours. Her ey'es/ were... | |
 | John Seely Hart - 1845 - 404 páginas
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black, though, according to the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a... | |
 | George Vandenhoff - 1846 - 398 páginas
...had attained much nearer to pure virtue. Mary the utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black ; though, according to the fashion of that age, she frequently wore borrowed locks, and of different colors. Her eyes were a dark... | |
 | George Vandenhoff - 1847 - 396 páginas
...contemporary authors agree in ascribing to K" Mary the utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black ; though, according to the fashion of that age, she frequently wore borrowed locks, and of different colors. Her eyes were a dark... | |
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Mary the utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black, though, according to the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a dark grey,... 
