A Theory of Fine ArtScribner, Armstrong,, 1874 - 290 páginas |
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Términos y frases comunes
æsthetical agreeable ancient architecture artist awaken Baldassare Castiglione beautiful belongs breadth called capable character Charles Bell Cicero color common complacency conception considered constitutes contemplating cultivation dimensions distinguished effect emotions Essay essence essential evident excitement expression fact faculty feeling form of sense freedom genius Greece harmony Hence highest human mind idea ideal images imagination imitation individual infinite harmony intellectual interest judg judgment of taste kind Laocoön law of form less Lord Bacon Lyrical Ballads Manasseh Cutler material matter means ment mode modern moral nature never object original outward painter painting particular passions perception perfect plastic arts pleasure poet poetry possess present principle produce proportion pure purpose realization relation remark represented rience rules says sculpture seems sensuous simply sion soul spirit style sublime symbols theory thing thought tiful tion true truth ture uncon understanding unity universal whole wholly word
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Página 106 - ... in an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing! Are we a piece of machinery, which, like the ./Eolian harp, passive, takes the impression of the passing accident; or do these workings argue something within us above the trodden clod...
Página 252 - The Poet writes under one restriction only, namely, the necessity of giving immediate pleasure to a human Being possessed of that information which may be expected from him, not as a lawyer, a physician, a mariner, an astronomer, or a natural philosopher, but as a Man.
Página 212 - The intelligible forms of ancient poets, The fair humanities of old religion, The Power, the Beauty, and the Majesty, That had their haunts in dale, or piny mountain, Or forest by slow stream, or pebbly spring, Or chasms and wat'ry depths ; all these have vanished. They live no longer in the faith of reason...
Página 7 - It is a metaphor, taken from a passive sense of the human body, and transferred to things which are in their essence not passive, — to intellectual acts and operations.
Página 254 - The objects of the Poet's thoughts are everywhere; though the eyes and senses of man are, it is true, his favourite guides, yet he will follow wheresoever he can find an atmosphere of sensation in which to move his wings.
Página 129 - Ye elves of hills, brooks, standing lakes and groves, And ye that on the sands with printless foot Do chase the ebbing Neptune and do fly him When he comes back...
Página 106 - I have some favourite flowers in spring, among which are the mountain-daisy, the hare-bell, the fox-glove, the wild brier-rose, the budding birch, and the hoary hawthorn, that I view and hang over with particular delight.
Página 254 - ... if the time should ever come when these things shall be familiar to us, and the relations under which they are contemplated by the followers of these respective sciences shall be manifestly and palpably material to us as enjoying and suffering beings. If the time should ever come when what is now called science, thus familiarized to men, shall be ready to put on, as it were, a form of flesh and blood, the poet will lend his divine spirit to aid the transfiguration, and will welcome the being...
Página 125 - Neither let it be deemed too saucy a comparison to balance the highest point of man's wit with the efficacy of Nature ; but rather give right honour to the heavenly Maker of that maker, who, having made man to His own likeness, set him beyond and over all the works of that second nature : which in nothing he showeth so much as in Poetry, when with the force of a divine breath He bringeth things forth far surpassing her doings...
Página 171 - Each cast at the other, as when two black clouds, With heaven's artillery fraught, come rattling on Over the Caspian...