Coleridge and the Uses of DivisionClarendon Press, 1999 - 303 páginas Coleridge was a visionary drawn to the numinous, but he was also a spontaneous connoisseur of the sensory life. Such double-mindedness has often been criticized as a sort of incapacity; but the capability of entertaining equally necessary kinds of perception might be thought a kind of virtue. The study examines Coleridge's formative double-vision as it manifests itself in his profound self-analysis, his philosophy of mind, and his literary criticism. |
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Contenido
INTRODUCTION H I | 7 |
COLERIDGES VISIONS | 35 |
THE MIND | 102 |
THE ETHICS OF IMAGINING | 155 |
MILTON | 209 |
Resolution and Independence | 274 |
The Incomprehensible Mariner | 281 |
293 | |
Términos y frases comunes
activity aesthetic appear beauty becomes Beer Berkeley Biographia called character claim Coleridge Coleridge's conception consciousness criticism describes distinction diversity divine division dream effect Empson English especially Essays evidently existence experience expression external fact feel Fragments Friend genius Hazlitt human ideal ideas imagination implies individual interest John kind language later Lectures less Letters lines literary living Logic look Marginalia Mariner material matter means metaphor Milton mind moral muddle nature never Notebooks objects observation once opposite original Oxford particular philosophical phrase plurality poem poet poetic poetry position praise Preface principle prose quoted reading realism reality Reason repr Romantic seems sense Shakespeare Shakespearian soul speaks spirit sublime suggests takes theory things thought tion true truth TTalk turn unity universe vision vols whole Wordsworth writes