Queen's Quarterly, Volumen21Quarterly Committee of Queen's University., 1914 |
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Página 22
... characters , and to add an emotional element that might otherwise be lacking . It is impossible to trace back to the earliest times the addi- tion of music to a stage play , but we know that among the Greeks it was in the service of the ...
... characters , and to add an emotional element that might otherwise be lacking . It is impossible to trace back to the earliest times the addi- tion of music to a stage play , but we know that among the Greeks it was in the service of the ...
Página 24
... character of the little coterie interested in the new Art form , the " Palazzo Bardi " , the majority of whom were wealthy ama- teurs of Florence , zealously devoted to the classics , and aflame with the desire for the actual revival of ...
... character of the little coterie interested in the new Art form , the " Palazzo Bardi " , the majority of whom were wealthy ama- teurs of Florence , zealously devoted to the classics , and aflame with the desire for the actual revival of ...
Página 26
... characters are real and his music fits the characters and the situations . Such a union of clear cut char- acterization and musical beauty had never yet been seen in opera . Had the Composer met a Poet , as Wagner would put it , Mozart ...
... characters are real and his music fits the characters and the situations . Such a union of clear cut char- acterization and musical beauty had never yet been seen in opera . Had the Composer met a Poet , as Wagner would put it , Mozart ...
Página 27
... character of the subject , it remains his greatest achievement in serious opera . Weber ( 1786-1826 ) is however the ... characters of classical mythology are ban- ished from the stage and in their places are substituted figures of ...
... character of the subject , it remains his greatest achievement in serious opera . Weber ( 1786-1826 ) is however the ... characters of classical mythology are ban- ished from the stage and in their places are substituted figures of ...
Página 28
... characters with music so ap- propriate to the feeling that in this one respect at least he has been favorably compared with Mozart . Aida , which marks the third period of his genius , is the full fruition of the Romantic Movement ...
... characters with music so ap- propriate to the feeling that in this one respect at least he has been favorably compared with Mozart . Aida , which marks the third period of his genius , is the full fruition of the Romantic Movement ...
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Términos y frases comunes
Alban André André Chénier Antonio's Revenge assembly associations atom authority balance banks Bradley Britain British called Canada Canadian Catiline cent century character charge Chénier Church claim clock co-operation co-operative colonies constitutional Curia Curia Regis disease doubt effect Empire England Eros and Psyche evidence Ewart existence F. H. Bradley fact farmers feudal ghost give given Goldwin Smith grand style Hamlet hand Holles House of Lords human idea ideal Imperial interest Jesus King land lines loans Lord Lord Alverstone matter means ment mind moral mortgage nature opera particles party pendulum person play poet poetry political position practice Pragmatism Province question quil reason regard repondue revenge revenge plays Roman royal Saskatchewan Schiller seems Sejanus Shakespeare spirit steel temperature thegn theory things thought tion truth United whole Witan words
Pasajes populares
Página 268 - Once more unto the breach, dear friends, once more; Or close the wall up with our English dead. In peace there's nothing so becomes a man As modest stillness and humility: But when the blast of war blows in our ears, Then imitate the action of the tiger; Stiffen the sinews, summon up the blood.
Página 193 - I know my course. The spirit that I have seen May be the devil : and the devil hath power To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, — As he is very potent with such spirits, — Abuses me to damn me: I'll have grounds More relative than this: — the play's the thing Wherein I'll catch the conscience of the king.
Página 267 - That he which hath no stomach to this fight, Let him depart; his passport shall be made And crowns for convoy put into his purse. We would not die in that man's company That fears his fellowship to die with us.
Página 222 - I have gone the whole round of creation: I saw and I spoke. I, a work of God's hand for that purpose, received in my brain, And pronounced on, the rest of his handwork, — returned him again His creation's approval or censure; I spoke as I saw. I report, as a man may of God's work: all's love, yet all's law.
Página 216 - Led on the eternal Spring. Not that fair field Of Enna, where Proserpine gathering flowers, Herself a fairer flower by gloomy Dis Was gathered, which cost Ceres all that pain To seek her through the world...
Página 264 - From camp to camp, through the foul womb of night, The hum of either army stilly sounds, That the fix'd sentinels almost receive The secret whispers of each other's watch : Fire answers fire, and through their paly flames Each battle sees the other's umber'd face...
Página 215 - Horatio, what a wounded name, Things standing thus unknown, shall live behind me. If thou didst ever hold me in thy heart, Absent thee from felicity awhile, And in this harsh world draw thy breath in pain, To tell my story.
Página 6 - And now abideth faith, hope, and charity, these three ; but the greatest of these is charity.
Página 214 - ... lines and expressions of the great masters, and to apply them as a touchstone to other poetry. Of course we are not to require this other poetry to resemble them; it may be very dissimilar. But if we have any tact we shall find them, when we have lodged them well in our minds, an infallible touchstone for detecting the presence or absence of high poetic quality, and also the degree of this quality, in all other poetry which we may place beside them.
Página 471 - He was bred to the law, which is, in my opinion, one of the first and noblest of human sciences, — a science which does more to quicken and invigorate the understanding than all the other kinds of learning put together; but it is not apt, except in persons very happily born, to open and to liberalize the mind exactly in the same proportion.