Marlowe, Shakespeare, and the Economy of Theatrical ExperienceUniversity of Pennsylvania Press, Incorporated, 1991 M11 29 - 241 páginas This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe. |
Dentro del libro
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Página 55
... door , drew a crowd of ' near a thousand people ' . . . . Continuing disorders ... led to the closing of theatres ( 1988 , 202–3 ) . Manning also notes that “ Between 1581 and 1602 ” the previously orderly city of London " was disturbed ...
... door , drew a crowd of ' near a thousand people ' . . . . Continuing disorders ... led to the closing of theatres ( 1988 , 202–3 ) . Manning also notes that “ Between 1581 and 1602 ” the previously orderly city of London " was disturbed ...
Página 179
... door at the farther end of the tunnel through which Barabas intends to lead the Turks and with it an " inner - stage " from which Barabas can emerge : Fear not , my lord ; for here against the sluice , The rock is hollow , and of ...
... door at the farther end of the tunnel through which Barabas intends to lead the Turks and with it an " inner - stage " from which Barabas can emerge : Fear not , my lord ; for here against the sluice , The rock is hollow , and of ...
Contenido
Part One The Economy of Theatrical Experience | 9 |
The Audience in Theory and Practice | 38 |
Part Two The Webs of Plays | 67 |
Derechos de autor | |
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Marlowe, Shakespeare, and the Economy of Theatrical Experience Thomas Cartelli Vista previa limitada - 1991 |
Marlowe, Shakespeare, and the Economy of Theatrical Experience Thomas Cartelli Vista previa limitada - 2015 |
Términos y frases comunes
Alcibiades Apemantus aspiring attempt audi audience engagement audience response audience's Banquo's ghost Barabas Barabas's behavior believe Berger capacity character claim contemporary contends context critical cultural defenses demystify dience discourse Doctor Faustus dramatic Edward Edward II effects Elizabethan playgoers embodiment ence fantasy fantasy fulfillment feel Ferneze Gaveston Gosson Greenblatt Henry Henry's identify ideology imaginary imaginative interpretive community Jack Straw Jew of Malta John of Leyden king King Lear Lear Leontes's Lord Macbeth Machiavel Machiavellian manner Marlowe and Shakespeare Marlowe's masterless material mind moral murder Nashe normative observes onstage opposed orthodox perspective play's playgoing playhouse playtexts playwright pleasure political position potential privileged provides provocative psychic disposition psychological radical reading regarding resistance Richard Richard III role scene seems set speech Shakespeare social speak specific spectator stage status structure subversive suggests Tamburlaine phenomenon Tamburlaine plays theater theatrical experience thou Timon of Athens tion transgressive Troilus Ulysses vicariously