Acting, Rhetoric, & Interpretation in Selected Novels by F. Scott Fitzgerald & Saul BellowThis book discusses works by F. Scott Fitzgerald and Saul Bellow in terms of the conflicts between rhetorical people (actors replete with ever-changing roles, situations, and strategies, and therefore devoid of single roles) and serious people (actors who possess master situations or a referent reality to which they believe everyone can refer), players and doers, artifices and realities, words and the world, and multivocal and univocal interpretations. This book claims that Fitzgerald's and Bellow's treatment of the concepts of actors and acting in their novels provides insights into the dynamic potential of the trope as presented by recent critics and reveals how some literary theories need refinement and modification. |
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Contenido
List of Abbreviations ix | 1 |
a gift for hope | 19 |
Nicks Interpretation as Performance | 37 |
Derechos de autor | |
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Otras ediciones - Ver todas
Acting, Rhetoric, & Interpretation in Selected Novels by F. Scott Fitzgerald ... Jamal Assadi Vista previa limitada - 2006 |
Acting, Rhetoric, & Interpretation in Selected Novels by F. Scott Fitzgerald ... Jamal Assadi Vista de fragmentos - 2006 |
Términos y frases comunes
accept According achieve acting actor adopts Allbee appearance asserts audience becomes behavior believes Billy Books Buchanans calls Chapter characters claims considers Criticism Dahfu Daisy Davis death desires Dick Dick's direct exactly existence experience fact feels finds Fitzgerald function Gatsby Gatsby's gives Hence Henderson Hollywood homo rhetoricus homo seriosus human idea important indicates interpretation Jewish King knowledge less than human Literary lives looks maintains means moral narrator nature needs Nick Nicole notion novel past performance perhaps play playwright position possession practices present Press produce provides readers reading reality refers relation relationship represent responsibility result rhetorical role Saul Bellow says scene Scott script sense signified situation social Sorella spectator spirit stage Stahr story successful suggests takes tells theater theatrical theory thinks tries true truth trying turned University values Victim Warrens writes York