Shakespeare in JapanA&C Black, 2005 M03 10 - 166 páginas Since the late Meiji period, Shakespeare has held a central place in Japanese literary culture. This account explores the conditions of Shakespeare's reception and assimilation. It considers the problems of translation both cultural and linguistic, and includes an extensive illustrated survey of the most significant Shakespearean productions and adaptations, and the contrasting responses of Japanese and Western critics. |
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Página viii
... tions and creative critiques of Shakespearean poetic drama , and we enter some currently unfashionable reservations about the achievement of modern Japanese directors such as Ninagawa Yukio , who have achieved international success by ...
... tions and creative critiques of Shakespearean poetic drama , and we enter some currently unfashionable reservations about the achievement of modern Japanese directors such as Ninagawa Yukio , who have achieved international success by ...
Página 6
... tions . This is true of his translation as a whole since he observes the basic principle of a Bunraku script , which is either recited or chanted by a narrator , with a musical accompaniment . In this respect a script for Bunraku ...
... tions . This is true of his translation as a whole since he observes the basic principle of a Bunraku script , which is either recited or chanted by a narrator , with a musical accompaniment . In this respect a script for Bunraku ...
Página 9
... tion between the three voices is perfectly valid so far as Western drama is concerned. But, as we have seen, the ... tions of the characters in the play (thus giving the audience the equivalent of stage directions), they often chant ...
... tion between the three voices is perfectly valid so far as Western drama is concerned. But, as we have seen, the ... tions of the characters in the play (thus giving the audience the equivalent of stage directions), they often chant ...
Página 15
... tions of Shakespeare as Kabuki plays. Doubtless, another reason was that Kabuki actors were at that time the only performers with professionally adequate competence, but the fact that narrative drama was so congenial to the Japanese ...
... tions of Shakespeare as Kabuki plays. Doubtless, another reason was that Kabuki actors were at that time the only performers with professionally adequate competence, but the fact that narrative drama was so congenial to the Japanese ...
Página 24
... tion on the right, and of course sets out to provide an instructive crib rather than an enabling commentary or ... tions, was keenly aware of the respective gains and losses involved in trying to translate Shakespeare into his own ...
... tion on the right, and of course sets out to provide an instructive crib rather than an enabling commentary or ... tions, was keenly aware of the respective gains and losses involved in trying to translate Shakespeare into his own ...
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accentual-syllabic verse acting Akechi Mitsuhide Atsumori Bunraku Caesar Cambridge characters Claudius Claudius's Diary contemporary course critics culture Dazai Deguchi director Elizabethan English essay feel film Fortinbras Fukuda Tsuneari Gertrude ghost happened Hashiba Hideyoshi Horatio I-novel Ibid Ibsen Japan Japanese audience Japanese translator joruri Kabuki Kabuki actors King Lear Kishi Kobayashi Kurosawa Kyogen language later lexical stress literary Macbeth meaning modern Mousetrap murdered narrator never Ninagawa Nishi Noh drama Noh play novelist Ooka Ophelia original version Othello performance poetic drama political Polonius prince Prince Hamlet productions of Shakespeare puppet samurai says scene seems sense Shake Shakespeare in Japan Shakespeare's play Shiga Shiga Naoya Shingeki actors Shoyo's version soliloquy sound speech stage story Suematsu Suzuki Suzuki Tadashi syllabic verse syllables Tetsuo Throne of Blood Tokyo Toyama traditional Japanese theatre translating Shakespeare translations of Shakespeare Tsubouchi Shoyo understand University Press visual Wada wanted Western witches words