After Franklin: The Emergence of Autobiography in Post-revolutionary America, 1780-1830University Press of New England, 2001 - 241 páginas Although much has been written about Benjamin Franklin’s Autobiography, other writers of what Stephen Arch calls “self-biographies” in post-revolutionary America have received scant scholarly attention. This rich variety of texts dramatically shows the complex nature of 19th-century concepts of identity. Arguing that “autobiography” is a modern invention, Arch shows its emergence in the older, conservative self-biographies of Alexander Graydon, Benjamin Rush, and Ethan Allen and in the newer, more progressive, and even radical self-biographies of K. White, Elizabeth Fisher, Stephen Burroughs, and John Fitch. Describing the evolution of a concept as elastic as “the self” is not easy, but Arch offers a unique and imaginative study of the emergence of a specifically modern American identity. |
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Página 116
... claimed that Burroughs's " character . . . is an enigma " ( 1 ) . Burroughs claims , in other words , to construct his story in response to the notion that his character is a riddle , an obscure speech or writing . A " puzzling ...
... claimed that Burroughs's " character . . . is an enigma " ( 1 ) . Burroughs claims , in other words , to construct his story in response to the notion that his character is a riddle , an obscure speech or writing . A " puzzling ...
Página 130
... claims , were in essence generated or authored by others , create a surplus value that not only prevents oth- ers from seeing ( what the narrator claims is ) the " real " Stephen Bur- roughs but also gives rise to incidents in which ...
... claims , were in essence generated or authored by others , create a surplus value that not only prevents oth- ers from seeing ( what the narrator claims is ) the " real " Stephen Bur- roughs but also gives rise to incidents in which ...
Página 149
... claims that , “ in giving the characters of the times , " authors should " contrast vice with virtue " in order to ... claim to this production ” ( vi ) . Of course not . Graydon is speaking to the " critics , " the powers that be ; she ...
... claims that , “ in giving the characters of the times , " authors should " contrast vice with virtue " in order to ... claim to this production ” ( vi ) . Of course not . Graydon is speaking to the " critics , " the powers that be ; she ...
Contenido
4 | 38 |
Travels through Life | 74 |
Ethan Allen and the Republican Self | 93 |
Derechos de autor | |
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After Franklin: The Emergence of Autobiography in Post-revolutionary America ... Stephen Carl Arch Vista de fragmentos - 2001 |
Términos y frases comunes
Alexander Graydon Allen's Narrative American Literature American Revolution argue autobiography behavior Benjamin Franklin Benjamin Rush biography Boston British Burroughs Burroughs's Cambridge captivity Cathy Davidson character Charles Brockden Brown claims conception counterfeit course Crèvecoeur's critics culture discourse Early American eccentric eighteenth century emergence Emerson Ethan Allen example experience father Federalist fictional Fisher Fitch Fliegelman genre of autobiography Graydon's Memoirs Grimes human ideas identity imagines independent individual insists invention James James's Jefferson John Adams John Fitch language Letters liberty Library of America Literary History mind modern moral Nantucket Nantucket Island narrator nature nineteenth century novel original Oxford University Press P. T. Barnum Philadelphia political Princeton printed published readers remarks Reprint republican Revolutionary America romantic Rush's says self-biography selfhood sense sentimental singular social society steamboat Stephen Burroughs story tells texts Thomas Thoreau tion tradition Travels virtue White William women writing written wrote York