Literary Theory at Work: Three TextsPMThis is a sequel to the successful ^IModern Literary Theory by Jefferson and Robey (Barnes & Noble). While the latter concentrates on expounding theory without embarking on its application, Tallack and his Critical Theory group take three literary texts and show how different literary theories can be used in practice in the analysis of real texts. The three texts are^R In the Cage by Henry James, St Mawr by D. H. Lawrence, and Heart of Darkness by Joseph Conrad. The branches of theory applied to them are Structuralism (Narrative Theory and Character Theory), Psychoanalytic Theory, Feminism, Linguistics, and Reader Response Theory, Deconstruction and Marxis |
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The contributors are part of the Critical Theory Group at the University of
Nottingham. This group of staff and postgraduates from a number of Arts
departments first met in the late seventies in order to keep up to date with
developments in ...
The contributors are part of the Critical Theory Group at the University of
Nottingham. This group of staff and postgraduates from a number of Arts
departments first met in the late seventies in order to keep up to date with
developments in ...
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Literary Theory at Work is addressed to those students and teachers who want
critical theory to give them a grasp upon a literary text. This pragmatic aim does
not, however, dilute theory and all the contributors would insist that theory is most
...
Literary Theory at Work is addressed to those students and teachers who want
critical theory to give them a grasp upon a literary text. This pragmatic aim does
not, however, dilute theory and all the contributors would insist that theory is most
...
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Heart of Darkness, In the Cage and St Mawr are short enough to read or re-read
alongside this collection but long enough to have relevance to the novels which
are the focus of most theory and criticism of fiction. In the introduction to Modern ...
Heart of Darkness, In the Cage and St Mawr are short enough to read or re-read
alongside this collection but long enough to have relevance to the novels which
are the focus of most theory and criticism of fiction. In the introduction to Modern ...
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Contenido
Structuralism I Narratology | 9 |
Structuralism II Character Theory | 29 |
Marxism and Form | 49 |
Feminism I Sexual Politics | 67 |
Psychoanalytic Theory | 89 |
Dialogics | 115 |
Feminism II Reading as a Woman | 135 |
Deconstruction | 159 |
Marxism and Ideology | 181 |
NOTES | 201 |
212 | |
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Términos y frases comunes
action activity analysis appear approach attempt Bakhtin Barthes becomes Cage called character completely context criticism cultural Darkness deconstruction described desire detail determined dialogized diegesis discourse discussion dream economic effects essay example experience expressed fact feminist figure final forces Freud function further Genette give given Heart historical human ideology imagination important individual instance interest interpretation involved James James's Kurtz language Lawrence linguistic literary literature London male Marlow Marxism meaning narrative narrator nature novel object opening particular perhaps play political position possible practice present production question reader reading reality reference relation relationship rhetoric role seems sense sexual signifier signs simply social society specific speech St Mawr status story structuralist structure Studies suggests symbolic telegraphist theory voice whole Witt woman women writing
Referencias a este libro
Textual Intervention: Critical and Creative Strategies for Literary Studies Rob Pope Sin vista previa disponible - 1995 |