Literary Theory at Work: Three TextsDouglas Tallack Rowman & Littlefield, 1987 - 218 páginas PMThis is a sequel to the successful ^IModern Literary Theory by Jefferson and Robey (Barnes & Noble). While the latter concentrates on expounding theory without embarking on its application, Tallack and his Critical Theory group take three literary texts and show how different literary theories can be used in practice in the analysis of real texts. The three texts are^R In the Cage by Henry James, St Mawr by D. H. Lawrence, and Heart of Darkness by Joseph Conrad. The branches of theory applied to them are Structuralism (Narrative Theory and Character Theory), Psychoanalytic Theory, Feminism, Linguistics, and Reader Response Theory, Deconstruction and Marxis |
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... positions adopted in this book sit uneasily with an unabashed pragmatism , it is at least fair to assume that no theory and no interest in theory arises in a vacuum in the first place . For these reasons Literary Theory at Work is ...
... positions adopted in this book sit uneasily with an unabashed pragmatism , it is at least fair to assume that no theory and no interest in theory arises in a vacuum in the first place . For these reasons Literary Theory at Work is ...
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... position but contributors have consistently made use of easily available further reading , in particular : the New Accents series ; two or three of Jonathan Culler's very clear accounts of structuralism and its aftermath ; and surveys ...
... position but contributors have consistently made use of easily available further reading , in particular : the New Accents series ; two or three of Jonathan Culler's very clear accounts of structuralism and its aftermath ; and surveys ...
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... position . Moreover , it is the reason why a psychoanalytical reading that brings together Freud and Lacan comes closest to explaining how St Mawr came to be this way and not another way . Steve Giles's reading could not be more ...
... position . Moreover , it is the reason why a psychoanalytical reading that brings together Freud and Lacan comes closest to explaining how St Mawr came to be this way and not another way . Steve Giles's reading could not be more ...
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Contenido
Structuralism I Narratology | 9 |
Structuralism II Character Theory | 29 |
Marxism and Form | 49 |
Feminism I Sexual Politics | 67 |
Psychoanalytic Theory | 89 |
Dialogics | 115 |
Feminism II Reading as a Woman | 135 |
Deconstruction | 159 |
Marxism and Ideology | 181 |
NOTES | 201 |
Index | 212 |
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Términos y frases comunes
actant action analysis Ann Jefferson artistic Bakhtin Cage character Conrad contemporary context critical theory critique cultural D.H. Lawrence deconstruction Derrida desire dialogized discourse dream economic effects essay Everard F.R. Leavis female Feminism feminist feminist literary criticism Fiction Freud Freudian function Genette Genette's given after quotations Harmondsworth Heart of Darkness Henry James historical human ideology imagination interpretation James's Jonathan Culler Joseph Conrad Kurtz Lacan language Lawrence's linguistic literary criticism literary text Literary Theory literature London Lou's Lukács Lukács's Macherey male Marlow Marxist meaning metaphorical Methuen Millett Mudge narrative narrator nature novel numbers object patriarchal Penguin position psychoanalytical question reader reading reality references relation relationship rhetoric Rico Roland Barthes role sense sexual political signifier social society Speech and Phenomena St Mawr stallion Steve Giles story structuralist structure struggle symbolic telegraphist text's textual unconscious voice Witt woman women words writing
Referencias a este libro
Textual Intervention: Critical and Creative Strategies for Literary Studies Rob Pope Sin vista previa disponible - 1995 |