Literary Theory at Work: Three TextsDouglas Tallack Barnes & Noble, 1987 - 218 páginas PMThis is a sequel to the successful ^IModern Literary Theory by Jefferson and Robey (Barnes & Noble). While the latter concentrates on expounding theory without embarking on its application, Tallack and his Critical Theory group take three literary texts and show how different literary theories can be used in practice in the analysis of real texts. The three texts are^R In the Cage by Henry James, St Mawr by D. H. Lawrence, and Heart of Darkness by Joseph Conrad. The branches of theory applied to them are Structuralism (Narrative Theory and Character Theory), Psychoanalytic Theory, Feminism, Linguistics, and Reader Response Theory, Deconstruction and Marxis |
Dentro del libro
Resultados 1-3 de 28
Página 17
... voice , the occasional glimpses of his Buddha - like pose ( into which he is frozen by the closing lines of the text ) , raise Marlow's attempt to verbalize and understand his experience into the major theme of Heart of Darkness : ' I ...
... voice , the occasional glimpses of his Buddha - like pose ( into which he is frozen by the closing lines of the text ) , raise Marlow's attempt to verbalize and understand his experience into the major theme of Heart of Darkness : ' I ...
Página 125
... voice ; but these men could by no touch of imagination be called enemies . They were called criminals " ' ( p . 43 ) . 6 - This trying - out of language to see if it fits is continued at the end of the same paragraph in the description ...
... voice ; but these men could by no touch of imagination be called enemies . They were called criminals " ' ( p . 43 ) . 6 - This trying - out of language to see if it fits is continued at the end of the same paragraph in the description ...
Página 152
... voice of the character is again absorbed into the voice of narration . The distant anonymous ' authority ' of the external focalization becomes confused with the internal focalization of the character so that at a later stage , the ...
... voice of the character is again absorbed into the voice of narration . The distant anonymous ' authority ' of the external focalization becomes confused with the internal focalization of the character so that at a later stage , the ...
Contenido
Narratology | 9 |
Character Theory | 29 |
Marxism and Form | 49 |
Derechos de autor | |
Otras 8 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
actant action analysis Ann Jefferson artistic Bakhtin Cage character Conrad contemporary context critical theory critique cultural D.H. Lawrence deconstruction Derrida desire dialogized discourse dream economic effects essay Everard F.R. Leavis female feminist feminist literary criticism Fiction Fredric Jameson Freud Freudian function Genette Genette's given after quotations Harmondsworth Heart of Darkness Henry James historical human ideology imagination individual instance interpretation James's Jonathan Culler Joseph Conrad Kurtz Lacan language Lawrence's linguistic literary criticism literary text Literary Theory literature London Lou's Lukács Lukács's Macherey male Marlow Marxist meaning metaphorical Methuen Millett modern Mudge narrative narrator nature novel numbers object patriarchal Penguin position question reader reading reality relation relationship rhetoric Rico Roland Barthes role sense sexual political signifier social society Speech and Phenomena St Mawr stallion story structuralist structure struggle symbolic telegraphist text's textual unconscious voice Witt woman women words writing
Referencias a este libro
Textual Intervention: Critical and Creative Strategies for Literary Studies Rob Pope Sin vista previa disponible - 1995 |