Literary Theory at Work: Three TextsDouglas Tallack Barnes & Noble, 1987 - 218 páginas PMThis is a sequel to the successful ^IModern Literary Theory by Jefferson and Robey (Barnes & Noble). While the latter concentrates on expounding theory without embarking on its application, Tallack and his Critical Theory group take three literary texts and show how different literary theories can be used in practice in the analysis of real texts. The three texts are^R In the Cage by Henry James, St Mawr by D. H. Lawrence, and Heart of Darkness by Joseph Conrad. The branches of theory applied to them are Structuralism (Narrative Theory and Character Theory), Psychoanalytic Theory, Feminism, Linguistics, and Reader Response Theory, Deconstruction and Marxis |
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Página 69
... fact that they are not is a political one . Millett reads literary texts as representations and developments of these relations and thus instances of sexual politics . In her analyses Millett attributes the prevailing differ- ences in ...
... fact that they are not is a political one . Millett reads literary texts as representations and developments of these relations and thus instances of sexual politics . In her analyses Millett attributes the prevailing differ- ences in ...
Página 107
... fact that , for all Lacan's pronouncements about the supremacy of the linguistic signifier in the chain , his most distinctive characteristic is his refusal to look at any text , as such , at all , and one can only wonder how his ...
... fact that , for all Lacan's pronouncements about the supremacy of the linguistic signifier in the chain , his most distinctive characteristic is his refusal to look at any text , as such , at all , and one can only wonder how his ...
Página 126
... fact that it is only ever a monologue . What takes the place of the other side of the dialogue is , in fact , the wilderness , which had whispered to him . . . things of which he had no conception till he took counsel with this great ...
... fact that it is only ever a monologue . What takes the place of the other side of the dialogue is , in fact , the wilderness , which had whispered to him . . . things of which he had no conception till he took counsel with this great ...
Contenido
Narratology | 9 |
Character Theory | 29 |
Marxism and Form | 49 |
Derechos de autor | |
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Términos y frases comunes
actant action analysis Ann Jefferson artistic Bakhtin Cage character Conrad contemporary context critical theory critique cultural D.H. Lawrence deconstruction Derrida desire dialogized discourse dream economic effects essay Everard F.R. Leavis female feminist feminist literary criticism Fiction Fredric Jameson Freud Freudian function Genette Genette's given after quotations Harmondsworth Heart of Darkness Henry James historical human ideology imagination individual instance interpretation James's Jonathan Culler Joseph Conrad Kurtz Lacan language Lawrence's linguistic literary criticism literary text Literary Theory literature London Lou's Lukács Lukács's Macherey male Marlow Marxist meaning metaphorical Methuen Millett modern Mudge narrative narrator nature novel numbers object patriarchal Penguin position question reader reading reality relation relationship rhetoric Rico Roland Barthes role sense sexual political signifier social society Speech and Phenomena St Mawr stallion story structuralist structure struggle symbolic telegraphist text's textual unconscious voice Witt woman women words writing
Referencias a este libro
Textual Intervention: Critical and Creative Strategies for Literary Studies Rob Pope Sin vista previa disponible - 1995 |