Literary Theory at Work: Three TextsDouglas Tallack Barnes & Noble, 1987 - 218 páginas PMThis is a sequel to the successful ^IModern Literary Theory by Jefferson and Robey (Barnes & Noble). While the latter concentrates on expounding theory without embarking on its application, Tallack and his Critical Theory group take three literary texts and show how different literary theories can be used in practice in the analysis of real texts. The three texts are^R In the Cage by Henry James, St Mawr by D. H. Lawrence, and Heart of Darkness by Joseph Conrad. The branches of theory applied to them are Structuralism (Narrative Theory and Character Theory), Psychoanalytic Theory, Feminism, Linguistics, and Reader Response Theory, Deconstruction and Marxis |
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Página 7
... completely different trio of authors , to say nothing of choices drawn from other genres . One justification is of particular importance to the use of the collection , however , and that is the availability of the literary texts in ...
... completely different trio of authors , to say nothing of choices drawn from other genres . One justification is of particular importance to the use of the collection , however , and that is the availability of the literary texts in ...
Página 56
... completely at sea ' , ' But she had “ got ” him . Oh yes ! ' , ' So what sort of American was she , after all ? ' ( p . 11 ) . The same ambiguity arises in relation to Phoenix , Rico and Mrs Witt , and generally in the depiction of St ...
... completely at sea ' , ' But she had “ got ” him . Oh yes ! ' , ' So what sort of American was she , after all ? ' ( p . 11 ) . The same ambiguity arises in relation to Phoenix , Rico and Mrs Witt , and generally in the depiction of St ...
Página 120
... completely one's own : ' The word in language is half someone else's ' . Rather than try to erase this characteristic the novelist builds on it . He ' does not strip away the intentions of others from the heteroglot language of his ...
... completely one's own : ' The word in language is half someone else's ' . Rather than try to erase this characteristic the novelist builds on it . He ' does not strip away the intentions of others from the heteroglot language of his ...
Contenido
Narratology | 9 |
Character Theory | 29 |
Marxism and Form | 49 |
Derechos de autor | |
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Términos y frases comunes
actant action analysis Ann Jefferson artistic Bakhtin Cage character Conrad contemporary context critical theory critique cultural D.H. Lawrence deconstruction Derrida desire dialogized discourse dream economic effects essay Everard F.R. Leavis female feminist feminist literary criticism Fiction Fredric Jameson Freud Freudian function Genette Genette's given after quotations Harmondsworth Heart of Darkness Henry James historical human ideology imagination individual instance interpretation James's Jonathan Culler Joseph Conrad Kurtz Lacan language Lawrence's linguistic literary criticism literary text Literary Theory literature London Lou's Lukács Lukács's Macherey male Marlow Marxist meaning metaphorical Methuen Millett modern Mudge narrative narrator nature novel numbers object patriarchal Penguin position question reader reading reality relation relationship rhetoric Rico Roland Barthes role sense sexual political signifier social society Speech and Phenomena St Mawr stallion story structuralist structure struggle symbolic telegraphist text's textual unconscious voice Witt woman women words writing
Referencias a este libro
Textual Intervention: Critical and Creative Strategies for Literary Studies Rob Pope Sin vista previa disponible - 1995 |