Literary Theory at Work: Three TextsDouglas Tallack Barnes & Noble, 1987 - 218 páginas PMThis is a sequel to the successful ^IModern Literary Theory by Jefferson and Robey (Barnes & Noble). While the latter concentrates on expounding theory without embarking on its application, Tallack and his Critical Theory group take three literary texts and show how different literary theories can be used in practice in the analysis of real texts. The three texts are^R In the Cage by Henry James, St Mawr by D. H. Lawrence, and Heart of Darkness by Joseph Conrad. The branches of theory applied to them are Structuralism (Narrative Theory and Character Theory), Psychoanalytic Theory, Feminism, Linguistics, and Reader Response Theory, Deconstruction and Marxis |
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Página 15
... darkness . 8 - I have chosen to concentrate on one section of Heart of Darkness : Marlow's visit to the Intended . This is the scene that F.R. Leavis , irritated by Conrad's insistence on ' making a virtue out of not knowing what he ...
... darkness . 8 - I have chosen to concentrate on one section of Heart of Darkness : Marlow's visit to the Intended . This is the scene that F.R. Leavis , irritated by Conrad's insistence on ' making a virtue out of not knowing what he ...
Página 18
... darkness set up in the title , developed on both narrative levels , and held together by the final words of the text : ' into the heart of an immense darkness ' ( p . 121 ) . . Although narration is subsequent to the events recounted in ...
... darkness set up in the title , developed on both narrative levels , and held together by the final words of the text : ' into the heart of an immense darkness ' ( p . 121 ) . . Although narration is subsequent to the events recounted in ...
Página 25
... darkness : But with every word spoken the room was growing darker , and only her forehead , smooth and white ... darkness , in the triumphant darkness . ( p . 119 ) She stood up ; her fair hair seemed to catch all the remaining light in ...
... darkness : But with every word spoken the room was growing darker , and only her forehead , smooth and white ... darkness , in the triumphant darkness . ( p . 119 ) She stood up ; her fair hair seemed to catch all the remaining light in ...
Contenido
Narratology | 9 |
Character Theory | 29 |
Marxism and Form | 49 |
Derechos de autor | |
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Términos y frases comunes
actant action analysis Ann Jefferson artistic Bakhtin Cage character Conrad contemporary context critical theory critique cultural D.H. Lawrence deconstruction Derrida desire dialogized discourse dream economic effects essay Everard F.R. Leavis female feminist feminist literary criticism Fiction Fredric Jameson Freud Freudian function Genette Genette's given after quotations Harmondsworth Heart of Darkness Henry James historical human ideology imagination individual instance interpretation James's Jonathan Culler Joseph Conrad Kurtz Lacan language Lawrence's linguistic literary criticism literary text Literary Theory literature London Lou's Lukács Lukács's Macherey male Marlow Marxist meaning metaphorical Methuen Millett modern Mudge narrative narrator nature novel numbers object patriarchal Penguin position question reader reading reality relation relationship rhetoric Rico Roland Barthes role sense sexual political signifier social society Speech and Phenomena St Mawr stallion story structuralist structure struggle symbolic telegraphist text's textual unconscious voice Witt woman women words writing
Referencias a este libro
Textual Intervention: Critical and Creative Strategies for Literary Studies Rob Pope Sin vista previa disponible - 1995 |