The Escape, Or, A Leap for Freedom: A Drama in Five Acts
Univ. of Tennessee Press, 2001 - 54 páginas
A well-known nineteenth-century abolitionist and former slave, William Wells Brown was a prolific writer and lecturer who captivated audiences with readings of his drama The Escape; or, a Leap for Freedom (1858). The first published play by an African American writer, The Escape explored the complexities of American culture at a time when tensions between North and South were about to explode into the Civil War. This new volume presents the first-edition text of Brown's play and features an extensive introduction that establishes the work's continuing significance.
The Escape centers on the attempted sexual violation of a slave and involves many characters of mixed race, through which Brown commented on such themes as moral decay, white racism, and black self-determination. Rich in action and faithful in dialect, it raises issues relating not only to race but also to gender by including concepts of black and white masculinity and the culture of southern white and enslaved women. It portrays a world in which slavery provided a convenient means of distinguishing between the white North and the white South, allowing northerners to express moral sentiments without recognizing or addressing the racial prejudice pervasive among whites in both regions.
John Ernest's introductory essay balances the play's historical and literary contexts, including information on Brown and his career, as well as on slavery, abolitionism, and sectional politics. It also discusses the legends and realities of the Underground Railroad, examines the role of antebellum performance art--including blackface minstrelsy and stage versions of Uncle Tom's Cabin--in the construction of race and national identity, and provides an introduction to theories of identity as performance.
A century and a half after its initial appearance, The Escape remains essential reading for students of African American literature. Ernest's keen analysis of this classic play will enrich readers' appreciation of both the drama itself and the era in which it appeared.
The Editor: John Ernest is an associate professor of English at the University of New Hampshire and author of Resistance and Reformation in Nineteenth-Century African-American Literature: Brown, Wilson, Jacobs, Delany, Douglass, and Harper.
Comentarios de la gente - Escribir un comentario
No encontramos ningún comentario en los lugares habituales.
Otras ediciones - Ver todas
African American ain't antislavery argued audiences better blackface brother Canada Cato character Colonel comes cultural dear defined doctor don't drama emphasized enslaved Enter Escape example Exit expect feel followed forces Frederick Douglass freedom fugitives Gaines give glad Glen hands Hannah head hear heart husband I'll identity jump labor lecture live look married massa master Melinda minstrel shows missis movement never niggers night North northern noted once performance Pinchen play presented Press published race racial religion roles Scene sell sentiment slave slavery social Society song South southern story talk tell thee thing Thomas thought tion turn Underground Railroad United Univ View Walk Walker whip wife William Wells Brown woman women writers York
Todos los resultados de la Búsqueda de libros »
Everyday Ideas: Socioliterary Experience Among Antebellum New Englanders
Ronald J. Zboray,Mary Saracino Zboray
Vista previa limitada - 2006