From the high window I beheld the scene On which Saint Benedict so oft had gazed; The mountains and the valley in the sheen Of the bright sun, and stood as one amazed. Gray mists were rolling, rising, vanishing;
The woodlands glisten'd with their jewell'd crowns. Far off the mellow bells began to ring
For matins in the half-awaken'd towns.
The conflict of the Present and the Past,
The ideal and the actual in our life,
As on a field of battle held me fast,
Where this world and the next world were at strife.
For, as the valley from its sleep awoke,
I saw the iron horses of the steam
Toss to the morning air their plumes of smoke, And woke as one awaketh from a dream.
SWEET the memory is to me
Of a land beyond the sea,
Where the waves and mountains meet; Where amid her mulberry-trees
Sits Amalfi in the heat,
Bathing ever her white feet
In the tideless, summer seas.
In the middle of the town, From its fountains in the hills, Tumbling through the narrow gorge, The Canneto rushes down,
Turns the great wheels of the mills, Lifts the hammers of the forge.
"Tis a stairway, not a street, That ascends the deep ravine, Where the torrent leaps between Rocky walls that almost meet. Toiling up from stair to stair Peasant girls their burdens bear; Sunburnt daughters of the soil, Stately figures tall and straight; What inexorable fate
Dooms them to this life of toil?
Lord of vineyards and of lands, Far above the convent stands,
On its terraced walk aloof Leans a monk with folded hands, Placid, satisfied, serene, Looking down upon the scene Over wall and red-tiled roof; Wondering unto what good end All this toil and traffic tend, And why all men cannot be Free from care, and free from pain And the sordid love of gain, And as indolent as he.
Where are now the freighted barks From the marts of east and west? Where the knights in iron sarks Journeying to the Holy Land Glove of steel upon the hand, Cross of crimson on the breast? Where the pomp of camp and court? Where the pilgrims with their prayers? Where the merchants with their wares, And their gallant brigantines Sailing safely into port, Chased by corsair Algerines?
Vanish'd like a fleet of cloud, Like a passing trumpet-blast, Are those splendours of the past, And the commerce and the crowd! Fathoms deep beneath the seas Lie the ancient wharves and quays, Swallow'd by the engulfing waves; Silent streets, and vacant halls, Ruin'd roofs and towers and walls; Hidden from all mortal eyes Deep the sunken city lies; Even cities have their graves!
This is an enchanted land! Round the headlands far away Sweeps the blue Salernian bay; With its sickle of white sand; Further still and furthermost On the dim discovered coast Pæstum with its ruins lies, And its roses all in bloom Seem to tinge the fatal skies Of that lonely land of doom
On his terrace, high in air, Nothing doth the good monk care For such worldly themes as these. From the garden just below Little puffs of perfume blow, And a sound is in his ears Of the murmur of the bees In the shining chestnut-trees;
Nothing else he heeds or hears. All the landscape seems to swoon In the happy afternoon; Slowly o'er his senses creep The encroaching waves of sleep, And he sinks as sank the town, Unresisting, fathoms down Into caverns cool and deep!
Wall'd about with drifts of snow, Hearing the fierce north wind blow, Seeing all the landscape white, And the river cased in ice,
Comes this memory of delight, Comes this vision unto me Of a long-post Paradise In the land beyond the sea.
A DUTCH PICTURE.
SIMON DANZ has come home again,
From cruising about with his buccaneers; He has singed the beard of the King of Spain, And carried away the Dean of Jaen
And sold him in Algiers.
In his house by the Maese, with its roof of tiles And weathercocks flying aloft in air,
There are silver tankards of antique styles, Plunder of convent and castle, and piles Of carpets rich and rare.
In his tulip-garden there by the town, Overlooking the sluggish stream, With his Moorish cap and dressing-gown The old sea-captain, hale and brown, Walks in a waking dream.
A smile in his gray mustachio lurks Whenever he thinks of the King of Spain, And the listed tulips look like Turks, And the silent gardener as he works Is changed to the Dean of Jaen.
The windmills on the outermost Verge of the landscape in the haze, To him are towers on the Spanish coast, With whisker'd sentinels at their post, Though this is the river Maese.
But when the winter rains begin,
He sits and smokes by the blazing brands, And old sea-faring men come in, Goat-bearded, gray, and with double chin, And rings upon their hands.
They sit there in the shadow and shine
Of the flickering fire of the winter night; Figures in colour and design
Like those by Rembrandt of the Rhine, Half darkness and half light.
And they talk of their ventures lost or won, And their talk is ever and ever the same, While they drink the red wine of Tarragon, From the cellars of some Spanish Don, Or convent set on flame.
Restless at times, with heavy strides He paces his parlour to and fro; He is like a ship that at anchor rides, And swings with the rising and falling tides And tugs at her anchor-tow.
Voices mysterious far and near,
Sound of the wind and sound of the sea, Are calling and whispering in his ear, 'Simon Danz! Why stayest thou here? Come forth and follow me!'
So he thinks he shall take to the sea again For one more cruise with his buccaneers, To singe the beard of the King of Spain, And capture another Dean of Jaen And sell him in Algiers.
(Harper's Magazine for August publishes MR LONGFELLOW's poem, which he delivered on the occasion of the 50th anniversary of the Bowdoin College Class of It is as follows:-]
Tempora labuntur, tacitisque senescimus annis, Et fugiunt freno non remorante dies.
OVID, Fastorum, Lib. vi.
"O CÆSAR, we who are about to die Salute you!" was the gladiators' cry In the arena, standing face to face With death and with the Roman populace familiar scenes-ye groves of pine, That once were mine and are no longer mine,— Thou river, widening through the meadows green To the vast sea, so near and yet unseen,- Ye halls, in whose seclusion and repose Phantoms of fame, like exhalations, rose And vanished,- -we who are about to die Salute you; earth and air and sea and sky, And the Imperial Sun that scatters down His sovereign splendours upon grove and town. Ye do not answer us! ye do not hear! We are forgotten; and in your austere And calm indifference, ye little care Whether we come or go, or whence or where. What passing generations fill these halls, What passing voices echo from these walls, Ye heed not; we are only as the blast, A moment heard, and then for ever past. Not so the teachers who in earlier days Led our bewildered feet through learning's maze; They answer us-alas! what have I said?
What greetings come there from the voiceless dead?
What salutation, welcome, or reply?
What pressure from the hands that lifeless lie? They are no longer here; they all are gone Into the land of shadows-all save one. Honour and reverence, and the good repute That follows faithful service as its fruit, Be unto him, whom living we salute.
The great Italian poet, when he made His dreadful journey to the realms of shade, Met there the old instructor of his youth, And cried in tones of pity and of ruth:
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