The Romantic Movement in English PoetryDutton, 1909 - 344 páginas |
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Página 4
... nature of music ) was of earlier origin . A certain stage of civilisation must have been reached before it could have occurred to any one that ordinary speech was worth being preserved . Verse is more easily remembered than prose ...
... nature of music ) was of earlier origin . A certain stage of civilisation must have been reached before it could have occurred to any one that ordinary speech was worth being preserved . Verse is more easily remembered than prose ...
Página 5
... nature , such as it now is , may be seen by the invariably regular rhythm of children's songs and of the half - inarticulate verse arrangements by which they accompany their games , and by the almost invariable inaccuracy of their ...
... nature , such as it now is , may be seen by the invariably regular rhythm of children's songs and of the half - inarticulate verse arrangements by which they accompany their games , and by the almost invariable inaccuracy of their ...
Página 8
... fiction transforms , it is true , it cannot help transforming ; but by its nature it is able to follow line for line in a way that verse can never do . ' The artifices of rhythm , ' 8 ROMANTIC MOVEMENT IN ENGLISH POETRY.
... fiction transforms , it is true , it cannot help transforming ; but by its nature it is able to follow line for line in a way that verse can never do . ' The artifices of rhythm , ' 8 ROMANTIC MOVEMENT IN ENGLISH POETRY.
Página 9
... nature of the poem , but abso- lutely forbidden by one of its most peculiar and indispens- able adjuncts : we allude , of course , to rhythm . ' It is , in fact , that physiological quality which gives its chief power , its rarest ...
... nature of the poem , but abso- lutely forbidden by one of its most peculiar and indispens- able adjuncts : we allude , of course , to rhythm . ' It is , in fact , that physiological quality which gives its chief power , its rarest ...
Página 12
... nature seemed to be reasserted : ' O gay charm ! ' what more probable and sufficient ? The poetry of the eighteenth century has no fundamental relation with the rest of English poetry . The poets of every other age can be brought ...
... nature seemed to be reasserted : ' O gay charm ! ' what more probable and sufficient ? The poetry of the eighteenth century has no fundamental relation with the rest of English poetry . The poets of every other age can be brought ...
Otras ediciones - Ver todas
Términos y frases comunes
ballad Barry Cornwall beauty Blake blank verse Byron cadence called Campbell Catullus Charles Lamb Coleridge colour comes conscious Crabbe criticism Dante death delight drama dream edited Elizabethan emotion English poetry expression fancy feeling genius heart human humour imagination impulse Irish JOHN JOSEPH BLANCO WHITE Keats kind Lamb Landor language Latin Leigh Hunt less letter lines lived lyric metre mind Moore moral nature never once ottava rima parody passion perhaps plays pleasure poem poet poetical Prometheus Unbound prose realised reality remembered rendered rhyme rhythm romantic says scene Scott seems seen sense sensitive Shakespeare Shelley Siege of Ancona sincerity songs sonnets soul Southey speaking speech spirit stanza story strange style taste tells things THOMAS DERMODY thought tion touch translation truth turn voice vols wholly WILLIAM MAGINN wonder words Wordsworth writing written wrote
Pasajes populares
Página 304 - Dilke on various subjects; several things dove-tailed in my mind, and at once it struck me what quality went to form a Man of Achievement, especially in Literature, and which Shakespeare possessed so enormously— I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason...
Página 138 - But now afflictions bow me down to earth: Nor care I that they rob me of my mirth; But oh! each visitation Suspends what nature gave me at my birth, My shaping spirit of Imagination.
Página 84 - It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.
Página 89 - Nor less I deem that there are Powers Which of themselves our minds impress ; That we can feed this mind of ours In a wise passiveness.
Página 84 - I have said that poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquillity...
Página 84 - I hoped, might be of some use to ascertain, how far, by fitting to metrical arrangement a selection of the real language of men in a state of vivid sensation, that sort of pleasure and that quantity of pleasure may be imparted, which a Poet may rationally endeavour to impart.
Página 156 - Give glory to the Lord your God, before he cause darkness, and before your feet stumble upon the dark mountains, and, while ye look for light, he turn it into the shadow of death, and make it gross darkness.
Página 40 - Whether in Heaven ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth; Whether on crystal rocks ye rove, Beneath the bosom of the sea Wandering in many a coral grove Fair Nine, forsaking Poetry! How have you left the ancient love That bards of old enjoyed in you! The languid strings do scarcely move! The sound is forced, the notes are few!
Página 306 - A poet is the most unpoetical of anything in existence, because he has no Identity — he is continually in for and filling some other body.
Página 138 - My shaping spirit of Imagination. For not to think of what I needs must feel, But to be still and patient, all I can; And haply by abstruse research to steal From my own nature all the natural man This was my sole resource, my only plan: Till that which suits a part infects the whole, And now is almost grown the habit of my soul.