The Sacred in MusicWestminster John Knox Press, 1999 - 255 páginas Religion and music are complementary resources for interpreting our lives. Music serves the sacred in ways that can be specified and articulated, yet the connection between them has been sorely neglected in the scholarly study of religion. Blackwell brings the two subjects together in a celebration of the rich Western musical tradition, both classical and Christian. |
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Página 54
... 3rd 4 : 5 minor 3rd 5 : 6 major whole tone 8 : 9 minor whole tone 9:10 Figure 2. Basic Harmonic Intervals . 14. The Myth of Invariance : The Origin of the Gods , Mathematics and Music from the Rig Veda to Plato ( New York : Nicolas Hays ...
... 3rd 4 : 5 minor 3rd 5 : 6 major whole tone 8 : 9 minor whole tone 9:10 Figure 2. Basic Harmonic Intervals . 14. The Myth of Invariance : The Origin of the Gods , Mathematics and Music from the Rig Veda to Plato ( New York : Nicolas Hays ...
Página 138
... minor modes . In almost every musical tone we hear , the major mode is implicit in the accompanying overtone series ... 3rd is in some ways more nearly related to the major 3rd than to any other interval in diatonic scales . That ...
... minor modes . In almost every musical tone we hear , the major mode is implicit in the accompanying overtone series ... 3rd is in some ways more nearly related to the major 3rd than to any other interval in diatonic scales . That ...
Página 139
... minor 3rd shares consonance with the major 3rd . Finally , both the major and the minor 3rd are intervals small enough to fall short of the more consonant Pythagorean 4th . In sum , major and minor 3rds function similarly because their ...
... minor 3rd shares consonance with the major 3rd . Finally , both the major and the minor 3rd are intervals small enough to fall short of the more consonant Pythagorean 4th . In sum , major and minor 3rds function similarly because their ...
Contenido
ACKNOWLEDGEMENTS | 7 |
SACRAMENTAL TRADITIONS | 25 |
The Incarnational Tradition | 40 |
Derechos de autor | |
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acoustical aesthetic analogy appreciation Augustine Bach beauty believe biblical Calvin Chapter characterisation chords Christ church classical consonance consonance and dissonance contemplation contrast cosmic cosmos creation creativity cultural cycle of 5ths dissonance divine Dorian mode Edwards eternal expresses faith feeling fundamental given and enduring God's grace harmonic music harmony hear holy human hymn immanent Incarnational tradition intervals kind language liturgical mathematics McClary McClary's means melody minor 3rd Mozart's music music's sacramental Musical Acoustics musical experience musical modes musical temperament mystical nature notes octave overtone series panentheism pantheism partial pentatonic scale philosophy Phrygian mode piano Plato praise principles propaedeutics Pythagoras Pythagorean Comma Pythagorean intervals ratios relation religion religious experience Rorty sacramental sacramental potential sacred salvation scale Schleiermacher sense silence singing social song soul sound speaks spiritual strings theological things tonal tones transcendence truth tune University Press western Wisdom words worship writes York