The Sacred in MusicWestminster John Knox Press, 1999 - 255 páginas Religion and music are complementary resources for interpreting our lives. Music serves the sacred in ways that can be specified and articulated, yet the connection between them has been sorely neglected in the scholarly study of religion. Blackwell brings the two subjects together in a celebration of the rich Western musical tradition, both classical and Christian. |
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Página 107
... express analysis of sounding music in verbal language , she once again reveals her basic intention , namely , to ... expresses no kind of order except " the product of another struggle over cultural meaning " : To acknowledge ...
... express analysis of sounding music in verbal language , she once again reveals her basic intention , namely , to ... expresses no kind of order except " the product of another struggle over cultural meaning " : To acknowledge ...
Página 182
... expresses the widespread Christian view that we experience salvation insofar as our souls are well ordered and whole ... express the extent of the inter- val between the king and the tyrant in respect of true pleasure he will find ...
... expresses the widespread Christian view that we experience salvation insofar as our souls are well ordered and whole ... express the extent of the inter- val between the king and the tyrant in respect of true pleasure he will find ...
Página 218
... expresses the religious instinct implicit in these biblical verses : " Every way in which the Lord helps the soul here , and all He teaches it , takes place with such quiet and so noiselessly that , seemingly to me , the work resembles ...
... expresses the religious instinct implicit in these biblical verses : " Every way in which the Lord helps the soul here , and all He teaches it , takes place with such quiet and so noiselessly that , seemingly to me , the work resembles ...
Contenido
ACKNOWLEDGEMENTS | 7 |
SACRAMENTAL TRADITIONS | 25 |
The Incarnational Tradition | 40 |
Derechos de autor | |
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Términos y frases comunes
acoustical aesthetic analogy appreciation Augustine Bach beauty believe biblical Calvin Chapter characterisation chords Christ church classical consonance consonance and dissonance contemplation contrast cosmic cosmos creation creativity cultural cycle of 5ths dissonance divine Dorian mode Edwards eternal expresses faith feeling fundamental given and enduring God's grace harmonic music harmony hear holy human hymn immanent Incarnational tradition intervals kind language liturgical mathematics McClary McClary's means melody minor 3rd Mozart's music music's sacramental Musical Acoustics musical experience musical modes musical temperament mystical nature notes octave overtone series panentheism pantheism partial pentatonic scale philosophy Phrygian mode piano Plato praise principles propaedeutics Pythagoras Pythagorean Comma Pythagorean intervals ratios relation religion religious experience Rorty sacramental sacramental potential sacred salvation scale Schleiermacher sense silence singing social song soul sound speaks spiritual strings theological things tonal tones transcendence truth tune University Press western Wisdom words worship writes York