Shakespeare's NoiseUniversity of Chicago Press, 2001 - 282 páginas "You common cry of curs! whose breath I hate / As reek o'th'rotten fens, whose loves I prize / As the dead carcasses of unburied men / That do corrupt my air: I banish you!" (from Coriolanus) Kenneth Gross explores Shakespeare's deep fascination with dangerous and disorderly forms of speaking—especially rumor, slander, insult, vituperation, and curse—and through them offers a vision of the work of words in his plays. Coriolanus's taunts or Lear's curses force us to think not just about how Shakespeare's characters speak, but also about how they hear, overhear, and mishear what is spoken, how rumor becomes tragic knowledge for Hamlet, or opens Othello to fantastic jealousies. Gross also shows how Shakespeare's preoccupation with "noisy" speech echoed and transformed a broader cultural obsession with the perils of rumor, slander, and libel in Renaissance England. Elegantly written and passionately argued, Shakespeare's Noise will challenge and delight anyone who loves his plays, from scholars to general readers, actors, and directors. |
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... John Simon Guggenheim Memorial Foundation in the publication of this book . The University of Chicago Press , Chicago 60637 The University of Chicago Press , Ltd. , London © 2001 by The University of Chicago All rights reserved ...
... John Simon Guggenheim Memorial Foundation in the publication of this book . The University of Chicago Press , Chicago 60637 The University of Chicago Press , Ltd. , London © 2001 by The University of Chicago All rights reserved ...
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... John Hollander , Herbert Marks , Gordon Teskey , Paolo Valesio , Joseph Wittreich , and Susanne Wofford . All in their different ways made writing this book part of a larger , necessary conversation . Daniel Albright kept my ear open ...
... John Hollander , Herbert Marks , Gordon Teskey , Paolo Valesio , Joseph Wittreich , and Susanne Wofford . All in their different ways made writing this book part of a larger , necessary conversation . Daniel Albright kept my ear open ...
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... John Calvin , the matter of " scandal " brought into play criti- cal questions about the spiritual authority and freedom of the church , even as it tested the resources of the individual conscience . For Michel de Mon- taigne , our ...
... John Calvin , the matter of " scandal " brought into play criti- cal questions about the spiritual authority and freedom of the church , even as it tested the resources of the individual conscience . For Michel de Mon- taigne , our ...
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Contenido
The Rumor of Hamlet | 10 |
The Book of the Slanderer | 33 |
A Disturbance of Hearing in Vienna | 68 |
Denigration and Hallucination in Othello | 102 |
War Noise | 131 |
King Lear and the Register of Curse | 161 |
An Imaginary Theater | 193 |
Notes | 209 |
275 | |
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Términos y frases comunes
A. C. Bradley abuse accusation actor Angelo Angus Fletcher audience Aufidius become blessing calls calumny Cambridge character Claudio Cordelia Coriolanus Coriolanus's curse dangerous dead death defamation Desdemona desire disguise drama dream Duke Duke's echo enemies face Faerie Queene false fame fantasy fear feel gestures ghost Hamlet hear hidden human Iago Iago's imagine Isabella Julien Gracq justice Kenneth Burke kind King Lear knowledge lago language Lear's listen London Lucio magical mask means Measure for Measure mouth noise once onstage Othello Oxford play play's Plutarch poison rage Renaissance revenge rumor scandal scene secret sense Shakespeare's shame shows silence slander space speak speakers speech stage storm story strange suggests theater thee thing thou tion tongues Tragedy trans truth turn uncanny University Press utterances violence voice vols Volscian William Empson witch words wounds York