Play Directing: Analysis, Communication, and StyleAllyn and Bacon, 2000 - 396 páginas ""Play Directing" is about the leader of an artistic enterprise--the play director in today's theatre. The book describes the various roles a director plays, from calling the plays to orchestrating and blending a symphony of actors and elements. The author emphasizes that the role of the director is not as a dictator, but as a leader of multiple craftsmen who look to the director for ideas that will give impetus to their fullest, most creative expressions." This book emphasizes that directing is not a finite and specific system of production, but rather is a venue for providing an intensive look at the structure of plays, of acting and actor-ownership, and of all the other crafts that together make a produced play. Readers are guided through the whole process of working on a play from style to analysis, including its relationship to moving pictures and television. They are encouraged to use this foundation as a basis from which to set their own goals as creative and dedicated leaders." For anyone interested in Play Direction or Theatre Study. |
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Página 7
... thing that differentiates it from other writing , is that his " dream - flight , " his improvisa- tion , has to take into account not only vocal and visual instruments ( the ac- tors ) but also the peculiar place around which or in ...
... thing that differentiates it from other writing , is that his " dream - flight , " his improvisa- tion , has to take into account not only vocal and visual instruments ( the ac- tors ) but also the peculiar place around which or in ...
Página 68
... thing and do another . " Suit the action [ illustration ] to the word , the word to the action , " says Shakespeare . This principle is what the actor is learning to apply . If you can exploit his own training to the fullest , you will ...
... thing and do another . " Suit the action [ illustration ] to the word , the word to the action , " says Shakespeare . This principle is what the actor is learning to apply . If you can exploit his own training to the fullest , you will ...
Página 73
... thing else that has height . Only by doing so can he define the cube he and his actors will exploit and his audience will see and feel . Always try to see a groundplan in your mind's eye , just as you would if you were looking at a ...
... thing else that has height . Only by doing so can he define the cube he and his actors will exploit and his audience will see and feel . Always try to see a groundplan in your mind's eye , just as you would if you were looking at a ...
Contenido
Why the Director? | 1 |
TAKING A PLAY APART | 15 |
Idea and Rhythmic Beats | 43 |
Derechos de autor | |
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Términos y frases comunes
acting actors actually approach appropriate areas attention audience aware basic become begin blocking body Chapter character close comedy communication composition concept convention costume course create criticism detail developed dialogue directing director discussion dramatic action effect emphasis EXERCISES experience feel Figure force function gesture give given circumstances groundplan hand hear historical ideas illustration imagination important improvisation individual intensive lighting live look major means moods move movement nature Note objects performance period Photo physical picture pieces play playscript playwright positions possible present problem production properties proscenium Realism rehearsal requires scene scenery selected sense sort sound space speaking specific speech stage structure style suggested technique tell theatre thing tion understand unit usually values visual