Play Directing: Analysis, Communication, and StyleAllyn and Bacon, 2000 - 396 páginas ""Play Directing" is about the leader of an artistic enterprise--the play director in today's theatre. The book describes the various roles a director plays, from calling the plays to orchestrating and blending a symphony of actors and elements. The author emphasizes that the role of the director is not as a dictator, but as a leader of multiple craftsmen who look to the director for ideas that will give impetus to their fullest, most creative expressions." This book emphasizes that directing is not a finite and specific system of production, but rather is a venue for providing an intensive look at the structure of plays, of acting and actor-ownership, and of all the other crafts that together make a produced play. Readers are guided through the whole process of working on a play from style to analysis, including its relationship to moving pictures and television. They are encouraged to use this foundation as a basis from which to set their own goals as creative and dedicated leaders." For anyone interested in Play Direction or Theatre Study. |
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Página 139
... movement , either that of actors in transit , as movement is defined here , or that of the camera moving . But on the stage , compositions act as close - ups and movement as the long and medium shots . Yet , a playgoer always sees both ...
... movement , either that of actors in transit , as movement is defined here , or that of the camera moving . But on the stage , compositions act as close - ups and movement as the long and medium shots . Yet , a playgoer always sees both ...
Página 142
... movements . Movement and Space Although movement technically occupies space only when it is being made , it possesses the psychological value of tying areas of the stage together , thus making it seem as if movement occupies more space ...
... movements . Movement and Space Although movement technically occupies space only when it is being made , it possesses the psychological value of tying areas of the stage together , thus making it seem as if movement occupies more space ...
Página 143
... movement . Movements in Series You must learn how to plan movements so that then , are joined in a series , with ... movement than through any of the other visual tools . Movement in Relation to Speeches Movement is so dynamic , so eye ...
... movement . Movements in Series You must learn how to plan movements so that then , are joined in a series , with ... movement than through any of the other visual tools . Movement in Relation to Speeches Movement is so dynamic , so eye ...
Contenido
Why the Director? | 1 |
TAKING A PLAY APART | 15 |
Idea and Rhythmic Beats | 43 |
Derechos de autor | |
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Términos y frases comunes
acting actors actually approach appropriate areas attention audience aware basic become begin blocking body Chapter character close comedy communication composition concept convention costume course create criticism detail developed dialogue directing director discussion dramatic action effect emphasis EXERCISES experience feel Figure force function gesture give given circumstances groundplan hand hear historical ideas illustration imagination important improvisation individual intensive lighting live look major means moods move movement nature Note objects performance period Photo physical picture pieces play playscript playwright positions possible present problem production properties proscenium Realism rehearsal requires scene scenery selected sense sort sound space speaking specific speech stage structure style suggested technique tell theatre thing tion understand unit usually values visual