Play Directing: Analysis, Communication, and StyleAllyn and Bacon, 2000 - 396 páginas ""Play Directing" is about the leader of an artistic enterprise--the play director in today's theatre. The book describes the various roles a director plays, from calling the plays to orchestrating and blending a symphony of actors and elements. The author emphasizes that the role of the director is not as a dictator, but as a leader of multiple craftsmen who look to the director for ideas that will give impetus to their fullest, most creative expressions." This book emphasizes that directing is not a finite and specific system of production, but rather is a venue for providing an intensive look at the structure of plays, of acting and actor-ownership, and of all the other crafts that together make a produced play. Readers are guided through the whole process of working on a play from style to analysis, including its relationship to moving pictures and television. They are encouraged to use this foundation as a basis from which to set their own goals as creative and dedicated leaders." For anyone interested in Play Direction or Theatre Study. |
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Página 31
... major sections of action ( the acts ) in all plays are broken arbitrarily into many sections of action . These are not only declared when a new character enters but also whenever characters in concert shift the line of talk ( action ) ...
... major sections of action ( the acts ) in all plays are broken arbitrarily into many sections of action . These are not only declared when a new character enters but also whenever characters in concert shift the line of talk ( action ) ...
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... major climax when all the previous character revelations come together . This major clash is of such force that the principal character stands fully re- vealed , and the audience can see what really makes him work . What follows this ...
... major climax when all the previous character revelations come together . This major clash is of such force that the principal character stands fully re- vealed , and the audience can see what really makes him work . What follows this ...
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Analysis, Communication, and Style Francis Hodge. Major Project 1A Scene Practice Here you are your first major project ! Note that it has two parts : Project 1A is directing your own scene ; Project 1B is testing your capabilities in ...
Analysis, Communication, and Style Francis Hodge. Major Project 1A Scene Practice Here you are your first major project ! Note that it has two parts : Project 1A is directing your own scene ; Project 1B is testing your capabilities in ...
Contenido
Why the Director? | 1 |
TAKING A PLAY APART | 15 |
Idea and Rhythmic Beats | 43 |
Derechos de autor | |
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Términos y frases comunes
acting actors actually approach appropriate areas attention audience aware basic become begin blocking body Chapter character close comedy communication composition concept convention costume course create criticism detail developed dialogue directing director discussion dramatic action effect emphasis EXERCISES experience feel Figure force function gesture give given circumstances groundplan hand hear historical ideas illustration imagination important improvisation individual intensive lighting live look major means moods move movement nature Note objects performance period Photo physical picture pieces play playscript playwright positions possible present problem production properties proscenium Realism rehearsal requires scene scenery selected sense sort sound space speaking specific speech stage structure style suggested technique tell theatre thing tion understand unit usually values visual