Play Directing: Analysis, Communication, and StyleAllyn and Bacon, 2000 - 396 páginas ""Play Directing" is about the leader of an artistic enterprise--the play director in today's theatre. The book describes the various roles a director plays, from calling the plays to orchestrating and blending a symphony of actors and elements. The author emphasizes that the role of the director is not as a dictator, but as a leader of multiple craftsmen who look to the director for ideas that will give impetus to their fullest, most creative expressions." This book emphasizes that directing is not a finite and specific system of production, but rather is a venue for providing an intensive look at the structure of plays, of acting and actor-ownership, and of all the other crafts that together make a produced play. Readers are guided through the whole process of working on a play from style to analysis, including its relationship to moving pictures and television. They are encouraged to use this foundation as a basis from which to set their own goals as creative and dedicated leaders." For anyone interested in Play Direction or Theatre Study. |
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Página 21
... forces , he must adjust to them , and , as he does so , certain capabilities dormant within him ( his true character ) come to the surface and force him to act . These capabilities have been present all the time , but they have never ...
... forces , he must adjust to them , and , as he does so , certain capabilities dormant within him ( his true character ) come to the surface and force him to act . These capabilities have been present all the time , but they have never ...
Página 30
... force of A's action ( adjustment ) and decides what action to take ; ( 3 ) B does to A ; ( 4 ) A feels the force of B's action ( adjustment ) and decides what action to take . This cycle is then ready to begin again , but this time on a ...
... force of A's action ( adjustment ) and decides what action to take ; ( 3 ) B does to A ; ( 4 ) A feels the force of B's action ( adjustment ) and decides what action to take . This cycle is then ready to begin again , but this time on a ...
Página 90
... force of each individual on the stage before any arrangement of groups can take place . The purpose here is to see the individual isolated in order to assess his potential force in a group arrangement . Body positions . Stage right and ...
... force of each individual on the stage before any arrangement of groups can take place . The purpose here is to see the individual isolated in order to assess his potential force in a group arrangement . Body positions . Stage right and ...
Contenido
Why the Director? | 1 |
TAKING A PLAY APART | 15 |
Idea and Rhythmic Beats | 43 |
Derechos de autor | |
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Términos y frases comunes
acting actors actually approach appropriate areas attention audience aware basic become begin blocking body Chapter character close comedy communication composition concept convention costume course create criticism detail developed dialogue directing director discussion dramatic action effect emphasis EXERCISES experience feel Figure force function gesture give given circumstances groundplan hand hear historical ideas illustration imagination important improvisation individual intensive lighting live look major means moods move movement nature Note objects performance period Photo physical picture pieces play playscript playwright positions possible present problem production properties proscenium Realism rehearsal requires scene scenery selected sense sort sound space speaking specific speech stage structure style suggested technique tell theatre thing tion understand unit usually values visual