Play Directing: Analysis, Communication, and StyleAllyn and Bacon, 2000 - 396 páginas ""Play Directing" is about the leader of an artistic enterprise--the play director in today's theatre. The book describes the various roles a director plays, from calling the plays to orchestrating and blending a symphony of actors and elements. The author emphasizes that the role of the director is not as a dictator, but as a leader of multiple craftsmen who look to the director for ideas that will give impetus to their fullest, most creative expressions." This book emphasizes that directing is not a finite and specific system of production, but rather is a venue for providing an intensive look at the structure of plays, of acting and actor-ownership, and of all the other crafts that together make a produced play. Readers are guided through the whole process of working on a play from style to analysis, including its relationship to moving pictures and television. They are encouraged to use this foundation as a basis from which to set their own goals as creative and dedicated leaders." For anyone interested in Play Direction or Theatre Study. |
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Página xi
... photo , Valerie Brea Ross ; Dixon Place , New York . Crimes of the Heart ( Beth Henley ) ; director , James Thomas ... photo , Allison Walker ; Bethesda Academy of Performing Arts , Bethesda , Maryland . " Guns Ablazing " ( improvisation ) ...
... photo , Valerie Brea Ross ; Dixon Place , New York . Crimes of the Heart ( Beth Henley ) ; director , James Thomas ... photo , Allison Walker ; Bethesda Academy of Performing Arts , Bethesda , Maryland . " Guns Ablazing " ( improvisation ) ...
Página xiii
... photo , Kirk R. Tuck ; Zachary Scott Theatre Center , Austin , Texas . The Collection ( Harold Pinter ) ; director , Michael McLain ; scenery , Michael McLain ; costumes , Judith Burke ; lighting , John Lutterbie ; Ac- tors Theatre ...
... photo , Kirk R. Tuck ; Zachary Scott Theatre Center , Austin , Texas . The Collection ( Harold Pinter ) ; director , Michael McLain ; scenery , Michael McLain ; costumes , Judith Burke ; lighting , John Lutterbie ; Ac- tors Theatre ...
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... photo- graph ( Photos 27 through 34 ) ? 2. How does the three - dimensionality required on the proscenium stage differ from that on the thrust ? 3. How is " intimacy " gained in each staging represented in Photos 27 through 34 ? 4. Does ...
... photo- graph ( Photos 27 through 34 ) ? 2. How does the three - dimensionality required on the proscenium stage differ from that on the thrust ? 3. How is " intimacy " gained in each staging represented in Photos 27 through 34 ? 4. Does ...
Contenido
Why the Director? | 1 |
TAKING A PLAY APART | 15 |
Idea and Rhythmic Beats | 43 |
Derechos de autor | |
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Términos y frases comunes
acting actors actually approach appropriate areas attention audience aware basic become begin blocking body Chapter character close comedy communication composition concept convention costume course create criticism detail developed dialogue directing director discussion dramatic action effect emphasis EXERCISES experience feel Figure force function gesture give given circumstances groundplan hand hear historical ideas illustration imagination important improvisation individual intensive lighting live look major means moods move movement nature Note objects performance period Photo physical picture pieces play playscript playwright positions possible present problem production properties proscenium Realism rehearsal requires scene scenery selected sense sort sound space speaking specific speech stage structure style suggested technique tell theatre thing tion understand unit usually values visual