Amores PerrosBritish Film Institute, 2003 - 95 páginas Amores Perros (2000) speaks to an international audience while never oversimplifying its local culture. This study of this film opens up that culture, revealing the film's relationship to television soap operas, pop music and contemporary debates about what it means to be Mexican. |
Contenido
Mexico City 2002 | 6 |
The Dictatorship of Tears | 28 |
Seismic City | 50 |
Derechos de autor | |
Otras 2 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
acoustic adulterous Alejandro González Iñárritu Altavista Altavista Films Amores Perros Andrés audience baby bedroom Berg BFI Modern Classics camera Cannes car chase car crash characters Chivo close-up colour contrast Control Machete Cueva Daniel and Valeria daughter dead dialogue director dogfighting domestic Echevarría El Chivo Emilio Echevarría film film's final Gael García García Canclini García Tsao genre graphic Guillermo Arriaga Ibid Jarocho Jorge lbid locations lover Lucha de gigantes Luis Martín Hernández Maru Maru's Mauricio melodrama Mexican cinema mexicanidad Mexico City Michel Chion narrative structure Octavio and Susana once Optimum Releasing Perros's plays poodle poster Prieto producer Martha Sosa promotion release reveals Richi Rodrigo scene Screen International script second episode sequence shoot shot shows soaps social songs sound design soundbridge soundtrack space spectator story street takes telenovela Tell theme three episodes urban visceral visual Vivir mata woman Zeta Films