The Making of English LiteratureD. C. Heath, 1924 - 536 páginas |
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Página 18
... critics assign " Genesis A " to Cædmon , but " Gen- esis B " is commonly attributed to a later hand . Exodus is much freer and more poetical in its treatment of the Bible story . It deals with the departure from Egypt , the flight of ...
... critics assign " Genesis A " to Cædmon , but " Gen- esis B " is commonly attributed to a later hand . Exodus is much freer and more poetical in its treatment of the Bible story . It deals with the departure from Egypt , the flight of ...
Página 52
... criticism says that Mande- ville is as fictitious as his Travels . In any case , we have the book ; and it is the first genuinely imaginative prose work in the literature and the first work to have the gift of a real English prose style ...
... criticism says that Mande- ville is as fictitious as his Travels . In any case , we have the book ; and it is the first genuinely imaginative prose work in the literature and the first work to have the gift of a real English prose style ...
Página 64
... critics ; and it is safe to say that Chaucer's fame has never stood higher than it does to - day . Chaucer was born in London , probably about 1340 . His father was a vintner , or wine - merchant , and the family was , therefore , of ...
... critics ; and it is safe to say that Chaucer's fame has never stood higher than it does to - day . Chaucer was born in London , probably about 1340 . His father was a vintner , or wine - merchant , and the family was , therefore , of ...
Página 101
... being our first important work in the field of literary criticism . Its critical theories are , in the main , sound , though he defended the classical unities in drama and held that verse was THE AGE OF SHAKESPEARE ( 1579-4625 ) ΙΟΙ.
... being our first important work in the field of literary criticism . Its critical theories are , in the main , sound , though he defended the classical unities in drama and held that verse was THE AGE OF SHAKESPEARE ( 1579-4625 ) ΙΟΙ.
Página 103
... critics , representing widely divergent theories ; there were writers of travels and voyages , dealing some- times with their own experiences ; there were historians , treating of events English and foreign , ancient and mod- ern ...
... critics , representing widely divergent theories ; there were writers of travels and voyages , dealing some- times with their own experiences ; there were historians , treating of events English and foreign , ancient and mod- ern ...
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Términos y frases comunes
Anglo-Saxon Anglo-Saxon Chronicle Anglo-Saxon literature artist ballads Battle of Brunanburh beauty Ben Jonson Beowulf Browning Cædmon called Canterbury Tales Carlyle century character characteristic charm Chaucer chiefly classical comedy criticism Cynewulf death Dickens drama dramatists Dryden emotion England English literature Essays expression fact Faerie Queene faith feeling genius George Eliot gift greatest heart human humor ideals illustrate imagination impulse individual influence intellectual interest Jane Austen John Johnson King later Layamon less literary living lyric lyric poetry masterpiece ment Milton modern moral movement nature novel novelist passion period plays poems poetic poetry Pope portray portrayal probably produced prose style prose-writers pure Puritan realistic religious Renaissance represented Robert Browning romantic Romanticism Ruskin satire seems sense Shakespeare Shelley social song Sonnets soul Spenser spirit story Tennyson Thackeray Thomas thought tion translation typical verse vivid Wordsworth writers written wrote
Pasajes populares
Página 311 - The breath whose might I have invoked in song Descends on me; my spirit's bark is driven, Far from the shore, far from the trembling throng Whose sails were never to the tempest given; The massy earth and sphered skies are riven! I am borne darkly, fearfully, afar; Whilst burning through the inmost veil of Heaven, The soul of Adonais, like a star, Beacons from the abode where the Eternal are.
Página 316 - Do not all charms fly At the mere touch of cold philosophy ? There was an awful rainbow once in heaven : We know her woof, her texture ; she is given In the dull catalogue of common things. Philosophy will clip an Angel's wings, Conquer all mysteries by rule and line, Empty the haunted air and gnomed mine — Unweave a rainbow, as it erewhile made The tender-person'd Lamia melt into a shade.
Página 150 - O eloquent, just, and mighty Death! whom none could advise, thou hast persuaded; what none hath dared, thou hast done; and whom all the world hath flattered, thou only hast cast out of the world and despised: thou hast drawn together all the far-stretched greatness, all the pride, cruelty, and ambition of man, and covered it all over with these two narrow words, Hie jacet.
Página 312 - To suffer woes which hope thinks infinite ; To forgive wrongs darker than death or night ; To defy power which seems omnipotent ; To love and bear ; to hope till hope creates From its own wreck the thing it contemplates...
Página 170 - I was confirmed in this opinion ; that he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem...
Página 375 - O may I join the choir invisible Of those immortal dead who live again In minds made better by their presence : live In pulses stirred to generosity, In deeds of daring rectitude, in scorn For miserable aims that end with self, In thoughts sublime that pierce the night like stars, And with their mild persistence urge men's search To vaster issues.
Página 133 - Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on ; and our little life Is rounded with a sleep.
Página 132 - She should have died hereafter ; There would have been a time for such a word. To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day To the last syllable of recorded time, And all our yesterdays have lighted fools The way to dusty death.
Página 130 - No more of that. — I pray you, in your letters, When you shall these unlucky deeds relate, Speak of me as I am ; nothing extenuate, Nor set down aught in malice...
Página 387 - How do I love thee? Let me count the ways. I love thee to the depth and breadth and height My soul can reach, when feeling out of sight For the ends of Being and ideal Grace.