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genial warmth the "judge' mellowed and began to grow eloquent upon the topic ever prominent in the red man's mind.

far-off tribe, he would relax into the old occupation.

But once when his eyes glanced up in eagerness, and the old question burst from his lips, the young warrior before him answered:

"After the going down of the sun and its ris

"Here," he said, spreading his hand palm upward upon the air, and passing the other lightly over it, "was Indian yesterday; here, somewhere, I don't know," making vague passes in the emptying, gather the people, and the council, and the air about it, "was white man. Now, here," in- maidens; listen to the song of my pipe, and if it dicating the tip of the forefinger, "is red man. pleases, do you give me Wabegoone to wife." To morrow where is he? Somewhere; I don't On the morrow all the village were gathered know. Hell!" together in the space usually set apart for public meetings. Nanagummoo, the Chief, occupied a place near the centre of the company, and in the excitement of the hour had thrown off that gloomy dejection which had formerly characterized him. Just now he was making anxious inquiries about Wabegoone, the Lily, who was to occupy a station at his side. But nowhere in all the village could she be found.

In the days that followed, many strange stories, superstitions and legends were told me by this "dilapidated Hercules." Among them was one relating to a brightener of our fieids in the months of September and October. I give it below, stripped of its rough beauty, as an evidence that however it has dealt with his outer resemblance, cruel abuse has not yet obliterated all traces of poetry in the savage mind.

A LEGEND OF THE GOLDEN ROD. Long years ago, ere this new land of ours was new, an Indian village rested in that part of the Ohio Valley nearest the junction of the Ohio and the Miami. Nanagummoo, the singer, ruler of this gentle community, passed all his days dreaming of some pipe which should produce sweeter sound than does the throat of a skylark. "Who brings me a pipe," he said, "whence I can draw at will sounds which shall stir my heart as never the song of bird has done, shall have, as his own, my flower. For him Wabegoone shall blossom and sinile."

But, alas! the art of music had attained little progress among these simple nations; and although with their cunning fingers they had wrought out reeds which imitated the various love calls of the beasts, that skill requisite to create a bird-song rested not with them.

Thus alone in his ambition and hope the Chief passed the hours, patiently scraping and fitting and sounding reeds and grass-blades, heeding scarcely the caresses of Wab-goone in his eagerness to solve the secret of music. When When approached by one of his people about matters connected with everyday life, he would rouse for a moment, look up eagerly, and ask in haste, "Is it done? Shall my soul be pleased with its own singing?"

And when he found that the interrupter but brought a gift of flesh, or wanted news from some

"I have searched far and wide, and I fear she has but fled to escape my arms," said Gagagee, the Raven, after a long and bootless quest. "But still let us have done with the trial, and if I prove that by right the maid is mine, then may I seek her with a sharper eye and trebled eagerness."

Somewhat unwillingly the Chief consented, stipulating, however, that directly the young warrior had made good his claim, the whole village was to hasten in search of the Lily. Accordingly Gagagee passed with his pipe to a somewhat open point at one end of the assemblage near an unoccupied hut, and at some little distance from all the tribe. Here, placing the tube to his lips, he stamped twice upon the ground as though to enforce silence, when at once, and apparently from the mouth of the pipe, a splendid strain of music floated upon the air. Slender at first, clear as a silver bell, gradually the sound gained in volume and pitch, filling the aural perception of beauty with as perfect and rounded content as only the flight of a bird gives to one's eye.

Suddenly the strain was checked, and the music became a war-song, thrilling all souls with the fires of passion. fires of passion. Again the song was changed, and the pipe sent its voice skylarking up and down through the various voices of the mockingbird, now the sharp, clear, dissyllabic note of the quail, and now the shrill whistle of the plover.

From the first flight of silence to its return Nanagummoo sat as one entranced. At last the dream of his soul was accomplished, and music

was hereafter to be under his own control. Strange music it was, too; in every note he had fancied a trace of the voice of Wabegoone. Puff up his cheeks as the player might, whistle as he would, the Chief could not disconnect the music from an intuitive likening to the songs of his daughter.

Musing upon this strange resemblance, and listening in memory anew to the singing of the pipe, Nanagummoo was suddenly surprised by the approach of the truant fair one. Her garlanded hair and the blossoms in her hands told the cause of her absence as positively as could words.

"Alas! my Lily," cried the chief, "in your idle searching after flowers you have caused us much fear, and have yourself lost the sweetest music that was ever sung." As she made no answer, Nanagummoo continued, "And as I have said, so shall it be. This night must you wed Gagagee !"

"This night, my father! This night!" cried the maiden, while all the gathered flowers fell at her feet. "This night! but, well, as you have said, so shall it be." And turning from him, soon she was lost among the wigwams.

Darkness had come up from the marshes, and found a dwelling in the heart of Nanagummoo. No more did the Lily nestle in his arms; no more did he sigh for the voice of a flute. For many days through all the land had he sought his truant daughter and her faithless spouse.

Convinced of the futility of endeavoring to fulfill the wishes of Nanagummoo, and loving the Lily beyond all things else, Gagagee had won her to deceive the Chief.

"Do you but sing from the hut when I signal," he had said, "and I will play, as it were, the music of my reed. So shall Nanagummoo find a dumb flute, and Gagagee a bride."

Directly after the marriage ceremonies, the twain secretly left the village in haste, fearing that when the flute was found to be voiceless, the Chief would recall his daughter. And well for them that they did so. For an old beldame of the village had overheard their scheming, and had determined to frustrate the plan in the moment of its consummation. Through some misunderstanding, she had delayed her story until too late. Now, however, she hastened to the Chief, and disclosed to him the perfidy of his daughter and the ailment of the Aute. So had things been for many days. "Noosis, begewain! begewain! My child, VOL. XV.-20

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come back! come back!" cried the Chief in vain; and now, when too late, he had found that his daughter's welfare was even dearer to him than a singing reed.

"Oh, thou Great Spirit! from thy wigwam in the sun, we pray that thou wilt send light, which shall seek out and find for us the Lily of our tribe," chanted the great men of the village one evening, while in fainter tones came the voice of the Chief, crying, "Noosis, begewain! begewain !"

Only the rustle of the forest leaves answered them; the fitful gleams of light from the glowworms danced up and went out; and the forest rested as silent as the Great Spirit himself.

But nay; not the forest nor the Great Spirit are unanswering when Patience watches and prays. Far off, the tops of the trees suddenly became tinged with a yellow light. Gradually the light approached the village, and soon a long line of sun lit torches led from the door of Nanagummoo's wigwam into the forest.

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Now hath the Great Spirit sent light hither from the sun. Now is our Lily found !" exultantly cried the assembled village; and soon along the miraculously luminous path the tribe's fleetest braves were flying, each emulous of the honor of bringing to the Chief his daughter.

"Hush!" cried one of the foremost seekers, when the night was well on towards its close, "Doth not yonder breeze bring with it wailing?" And they listened. "Ahnungokah! Thou starry heavens, weep with thy thousand eyes! Broken is the stay of the Lily !"

Nestled in the shelter of a great oak tree, and pillowing the head of her spouse upon her bosom, they found the maiden. Blood was on the leaves about them, and off in the forest a panther, wounded, was moaning and licking its breast.

When morning came, and the great sun rolled over the hill tops, a new flower was found in field and meadow. Yellow as gold, a long line of beauty reached from a troubled, blood-besprinkled spot in the heart of the woods, to a fair and peaceful village. Gnats and moths and butterflies hovered about the heads of these new blossoms, drunk with the joy of bathing in celestial light.

And to this day the gatherer of the golden rod will find hovering about it, and nestling in its heart, hundreds of these living witnesses to its divine origin and luminous mission.

AN ACCOMPLISHED LADY ARTIST.

By M. S. Dodge.

IN the long list of gifted, beautiful, good, | of Modena, the Duchess of Massa-Carrada, Count wronged, and unhappy women, there are few names Firmiani and many more, she was but eleven years that shine with so bright and pure a lustre as that old. About then she lost her mother, and her of Angelica Kauffmann. She was born in 1741 at father taking to his old roving ways, the twoCoire, the capital of the Grisons, a wild and pic- strange pair so ill-assorted in age, so well in love, turesque district which extends along the right for Kauffmann idolized his little daughter-went bank of the Rhine to the Lake of Constance. vagabondizing about the Grisons, literally picking She was born to poverty; her father, John Joseph up bread at the tips of their pencils. Kauffmann, being an artist with talents below mediocrity, and his earnings proportionately meagre. A kind of artistic tinker, he travelled about the surrounding cantons, mending a picture here, copying one there, painting a sign for his board and lodging at his gasthof, or decorating the hall of some ambitious chateau-owner. It was in one of the nomadic excursions that he met and fell in love with a Protestant damsel named Cléofe; she returning the passion, adopted his religion, the Roman Catholic, upon which the Church blessed their union, and they were married. Hence Angelica, christened Marie-Anne-Angélique Catherine; rich in names, if lacking in this world's goods.

Once the child was entrusted alone to paint in fresco an altar-piece for a village church, and a pleasant sight it must have been to watch the fragile little girl perched on the summit of a lofty scaffolding, piously painting lambs and doves and angels with winged heads, while her admiring father on the pavement below expatiated with tears of pride and joy in his eyes, upon the excellencies of his little daughter to the throng of wondering villagers, or the pleased curate.

The poor fellow knew he could never hope to leave his daughter any inheritance; money he had none to give her. Consequently he nearly starved himself that she should have a brilliant education; and she had the best that was to be procured. Beside her rare aptitude for painting, she was passionately fond of music, and possessed a voice of great sweetness, purity, and compass, her execution being full of soul. Valiantly she conquered the most difficult of the grand old Italian masters, and sang, accompanying herself on the clavecin, winning all hearts by her sympathetic strains.

From her earliest infancy Angelica's playthings were paint-brushes, maul-sticks, unstained canvases, and bladders of colors; and her father, an honest, simple-minded fellow, cherished the unselfish hope that he might teach his child his profession, and in teaching her he might have the satisfaction of seeing her surpass him some day. Nor was he disappointed; for as Raffaelle surpassed Perugino, or Michael Angelo surpassed Ghirlan dajo, their masters, so Angelica speedily surpassed her father, and left him far behind. The father was delighted at the daughter's marvelous pro-ders, and which she never could be prevailed gress, and directed her faculties to the study of color, very early initiating her into such secrets as he had penetrated, so that at nine years old the child was a little prodigy.

She was first brought prominently into notice by painting the portrait of the Bishop of Como, Monsignore Nerini, and being eminently successful in the result, was soon overwhelmed with commissions. At this time, when she painted the portraits of the Archbishop of Milan, Rinaldo d'Este, Duke

At sixteen Angelica was a beauty. Of medium height and exquisite grace, her pale brunette complexion was set off by blue eyes and black hair, which fell in tresses over her polished shoul

upon to powder in the mode of the times. Her lips were coral, and her hands long and beautiful. At twenty her voice and beauty were nearly the cause of her career as an artist being brought to an end, for she was passionately solicited to appear on the lyric stage. Managers made her tempting offers; nobles sent her flattering notes; bishops and archbishops even gave half assent, while noble ladies approved, and Kauffmann himself could not disguise his eagerness that the syren voice of his

Angelica should be heard at the Scala. But Angelica herself was true to art. She knew how jealous a mistress Art is, and with a sigh, but resolutely, she turned from all the temptations held out to her, and resumed her artistic studies with renewed energy. With a poet's soul and the form of a queen, she turned back to her father's humble roof, where, if the bed was hard, the sheets coarse, the bread dark and sour, when won, she could at least lie on the rugged pallet, unremorsefully dreaming her day-dreams resplendent with gorgeous visions of Apelles, the friend of kings, and Titian in his palace; Raffaelle, all but invested with the purple pallium of the sacred college; Pelasquez, with his golden key, and of all the mighty army of immortal names among which she might one day claim fellowship. How could she help such dreams, knowing that if the prizes in art's lottery are few, there are no others that can equal them in splendor, and glory that fades not away!

artist. But for some inexplicable reason Angelica discouraged his advances, and even left the protection of her patroness, Lady Mary Veertvoorst, to avoid his importunities, establishing herself with her father in a house in Golden Square. Together with the mighty privilege of being the fashion, she painted at this time portraits of royalty and of the best known names in England. A magnificent portrait of the Duchess of Brunswick put the seal to the patent of her reputation. She was doubly and trebly the fashion. No assembly was complete without her presence; in the world of fashion, the world of art, the world of literature she was sought after, pursued, idolized. She was the reigning toast; noblemen fighting for a ribbon dropped from her corsage at a birthnight ball, officers of the guards escorting her with torches home. Scandal of course was on the alert, and Sir Benjamin Backbites, Lady Sneerwells, Mrs. Candours and Mr. Marplots put their powdered old heads together and croaked about Papists and female emissaries of the Pretender.

But, scandal, jealousy and withered dowagers notwithstanding, Angelica continued the fashion. Sull the carriages of the noble and the wealthy blocked up Golden Square; still she was the talk of the coffee-houses and studios, and the favored few who gained admission to Lady Mary Veertvoorst's evening concerts were charmed by Ange

With her father she set out on a six years' travel among the masterpieces of Italian art, her constant study, practice, and application ripening her talent, enlarging her experience, and spreading her reputation throughout Italy and Germany. Angelica did not escape the widespread snare of the age-patronage; but she fell into good hands. Some English families residing in Venice made her handsome offers to go to England. She hesi-lica's lovely voice. All went merry as a marriage tated, but in the meantime undertook the study bell; alas! that the knell already sounded amid of the English language, in which she was very its joyous chimes. successful. At last she was over-persuaded by the importunities of Lady Mary Veertvoorst, the widow of a Dutch admiral, and in 1766 accompanied her patroness to England. The good old lady treated Angelica like a daughter, introducing her far and wide into fashionable society, having been taken up by the Marquis of Exeter, who then occupied the throne of English art without dissent. She was now quickly enrolled among the members of the Royal Academy-a rare honor indeed for a lady then-and her reputation established.

It was here that she spent the flower of her life, among the members and lovers of the profession which she adorned. It was here that she was the pet of the English aristocracy, the cynosure of English painters, the beloved of the greatest among their number; for the friendship of Reynolds soon ripened into a warmer feeling, and he became vehemently in love with his beautiful fellow

In 1768 there appeared in the most fashionable circles of London a man, young, handsome, accomplished in manners, brilliant in conversation, the bearer of a noble name, the possessor of a princely fortune. He speedily became the fashion; dressing splendidly, playing freely, losing good-humoredly, given to racing, cock fighting, and other fashionable amusements of the day, how could it be otherwise; and so he reigned with Angelica, a twin planet. This was the Count Frederic de Horn, the representative of a noble Swedish family who had been for some time expected in England. Whether poor Angelica really loved him, apart from the dapple of his embroidery, his diamond star, glittering buckles, green ribbon, his title, his handsome face and flattering tongue will never be known, but she became speedily his bride, melting the pearl of her happiness, as did Egypt's queen, in vinegar.

She was married in January, 1768, in great splendor, to the man of her choice. Half London witnessed their union, and presents that Queens might envy showered upon the beautiful bride. Health and prosperity seemed to bless the young couple, till first vague rumors, at last incontrovertible, miserable truth came upon them in the person of another Count de Horn, who arrived in England to pursue and punish an impostor and swindler who had robbed him of his property and his name, and it was discovered that Angelica Kauffmann had married the man so accused—a low-born caitiff, the footman of the count.

Poor Angelica! this blow was the death-stroke to her happiness on earth. The fraudulent marriage was annulled as far as possible by a deed of of separation; a small annuity was secured the wretched impostor on condition of his going into obscurity, where he eventually died; but where could his wretched victim find solace for the illstarred marriage? A long period of mental and bodily prostration followed, and she sought a panacea for her grief in her beloved Italy. Thither her father, weary of English fogs, fashion, and false counts, took her, and there they lived almost in entire retirement.

Numberless conjectures have been made as to whether this unfortunate marriage was merely a genteel, swindling speculation on the lackey's part, or whether it was the result of a deep-laid conspiracy against the happiness and honor of Angelica Kauffmann. A French woman invents a very

dexterous fable of a certain baronet whose hand had been refused by Angelica, and who in revenge discovered, tutored, fit'ed out, and launched into society the Count de Horn's recently discharged valet. Another goes further in asserting that the villain who had dressed up this lay figure to lure the poor girl to her ruin was none other than her rejected lover, Sir Joshua Reynolds.

However that may be, we have only to deal with facts. When the death of her husband, the ex-footman, placed her hand at liberty, Angelica bestowed it on Antonio Zucchi, an old and faithful friend, and a painter of architecture. With him and her father she settled in Venice. Zucchi was a faithful and devoted husband, albeit visionary and chimerical, wasting the greater part of his wife's fortune in idle speculations. He died in 1795, leaving her little or nothing, and the remainder of her life was passed in comparative poverty. She who had known the dizzy altitude of splendor, the companionship of the great, lived meekly, a good woman, painting to the last. Angelica Kauffmann died in Rome, after a lingering sickness, in 1805. She was buried in the Church of St. Andrea delle Frate with grand ceremonial under the direction of Canova. Gifted with a nature of the rarest predilections, beautiful, amiable, caressed, celebrated among her contemporaries, Angelica Kauffmann still lacked one little thing to fill up the measure of her existence-that one little thing that we all strive after, so few obtain, and that is happiness.

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