Acting, Rhetoric, & Interpretation in Selected Novels by F. Scott Fitzgerald & Saul BellowPeter Lang, 2006 - 188 páginas This book discusses works by F. Scott Fitzgerald and Saul Bellow in terms of the conflicts between rhetorical people (actors replete with ever-changing roles, situations, and strategies, and therefore devoid of single roles) and serious people (actors who possess master situations or a referent reality to which they believe everyone can refer), players and doers, artifices and realities, words and the world, and multivocal and univocal interpretations. This book claims that Fitzgerald's and Bellow's treatment of the concepts of actors and acting in their novels provides insights into the dynamic potential of the trope as presented by recent critics and reveals how some literary theories need refinement and modification. |
Dentro del libro
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Página 45
... audience can do the ' responding ' for themselves . First the actress has lines to follow , then she has to get the audience's attention back on herself , away from the murdered Chinese or whatever the thing is . So she must do ...
... audience can do the ' responding ' for themselves . First the actress has lines to follow , then she has to get the audience's attention back on herself , away from the murdered Chinese or whatever the thing is . So she must do ...
Página 88
... audience watching the beating scene and actors watched by another audience — Asa . More importantly , the scene signals that Bellow's notion of acting and audience alternates between two levels : the falsity of acted performances ...
... audience watching the beating scene and actors watched by another audience — Asa . More importantly , the scene signals that Bellow's notion of acting and audience alternates between two levels : the falsity of acted performances ...
Página 93
... audience is given a central role to play . According to Greenblatt , the theater of exorcism elicits from us complicity rather than belief . Demonic possession is responsibly marked out for the audience as a theatrical fraud , designed ...
... audience is given a central role to play . According to Greenblatt , the theater of exorcism elicits from us complicity rather than belief . Demonic possession is responsibly marked out for the audience as a theatrical fraud , designed ...
Contenido
List of Abbreviations ix | 1 |
a gift for hope | 19 |
Nicks Interpretation as Performance | 37 |
Derechos de autor | |
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Acting, Rhetoric, & Interpretation in Selected Novels by F. Scott Fitzgerald ... Jamal Assadi Vista previa limitada - 2006 |
Términos y frases comunes
accept According achieve acting action actor adopts Allbee appearance asserts audience becomes behavior believes Billy bomo seriosus Books Buchanans calls Chapter characters claims considers Criticism Dahfu Daisy Davis death desires Dick Dick's direct exactly existence experience fact feels finds Fitzgerald function Gatsby Gatsby's gives Hence Henderson Hollywood homo rhetoricus human idea important indicates interpretation Jewish King knowledge Last less than human Literary lives looks means moral narrator nature needs Nick Nicole notion novel past performance perhaps play playwright position possession practices present Press produce readers reading reality refers relation relationship represent responsibility result rhetorical Robert role Saul Bellow says scene Scott script sense seriosus situation social Sorella spectator spirit stage Stahr story successful suggests takes tells theater theatrical theory thinks tries true truth trying turned University values Victim Warrens writes York