glasses over the water-decanter when they drank the King's health, long after they had become loyal supporters of the government of George the Third. He was a Whig by the accident of hereditary connexion; but he was essentially a courtier; and not the less a courtier because he pretended to sneer at the objects which excited his admiration and envy. His real tastes perpetually show themselves through the thin disguise. While professing all the contempt of Bradshaw or Ludlow for crowned heads, he took the trouble to write a book concerning Royal Authors. He pryed with the utmost anxiety into the most minute particulars relating to the Royal Family. When he was a child, he was haunted with a longing to see George the First, and gave his mother no peace till she had found a way of gratifying his curiosity. The same feeling, covered with a thousand disguises, attended him to the grave. No observation that dropped from the lips of Majesty seemed to him too trifling to be recorded. The French songs of Prince Frederic, compositions certainly not deserving of preservation on account of their intrinsic merit, have been carefully preserved for us by this contemner of royalty. In truth, every page of Walpole's works bewrays him. This Diogenes, who would be thought to prefer his tub to a palace, and who has nothing to ask of the masters of Windsor and Versailles but that they will stand out of his light, is a gentleman-usher at heart.

He had, it is plain, an uneasy consciousness of the frivolity of his favourite pursuits; and this consciousness produced one of the most diverting of his ten thousand affectations. His busy idleness, his indifference to matters which the world generally regards as important, his passion for trifles, he thought fit to dignify with the name of philosophy. He spoke of himself as of a man whose equanimity was proof to ambitious hopes and fears, who had learned to rate power, wealth, and fame at their true value, and whom the conflict of parties, the rise and fall of statesmen, the ebb and flow of public opinion, moved only to a smile of mingled compassion and disdain. It was owing to the peculiar elevation of his character that he cared about a pinnacle of lath and plaster more than about the Middlesex election, and about a miniature of Grammont more than about the American Revolution. Pitt and Murray might talk themselves hoarse about trifles. But questions of government and war were too insignificant to detain a mind which was occupied in recording the scandal of club-rooms and the whispers of the back-stairs, and which

was even capable of selecting and disposing chairs of ebony and shields of rhinoceros-skin.

One of his innumerable whims was an extreme unwillingness to be considered a man of letters. Not that he was indifferent to literary fame. Far from it. Scarcely any writer has ever troubled himself so much about the appearance which his works were to make before posterity. But he had set his heart on incompatible objects. He wished to be a celebrated author, and yet to be a mere idle gentleman, one of those Epicurean gods of the earth who do nothing at all, and who pass their existence in the contemplation of their own perfections. He did not like to have any thing in common with the wretches who lodged in the little courts behind St. Martin's Church, and stole out on Sundays to dine with their bookseller. He avoided the society of authors. He spoke with lordly contempt of the most distinguished among them. He tried to find out some way of writing books, as M. Jourdain's father sold cloth, without derogating from his character of Gentilhomme. "Lui, marchand? C'est pure médisance: il ne l'a jamais été. Tout ce qu'il faisait, c'est qu'il était fort obligeant, fort officieux; et comme il se connaissait fort bien en étoffes, il en allait choisir de tous les côtés, les faisait apporter chez lui, et en donnait à ses amis pour de l'argent." There are several amusing instances of Walpole's feeling on this subject in the letters now before us. Mann had complimented him on the learning which appeared in the "Catalogue of Royal and Noble Authors;" and it is curious to see how impatiently Walpole bore the imputation of having attended to any thing so unfashionable as the improvement of his mind. "I know nothing. How should I? I who have always lived in the big busy world; who lie a-bed all the morning, calling it morning as long as you please; who sup in company; who have played at faro half my life, and now at loo till two and three in the morning; who have always loved pleasure; haunted auctions..... How I have laughed when some of the Magazines have called me the learned gentleman. Pray don't be like the Magazines." This folly might be pardoned in a boy. But a man between forty and fifty years old, as Walpole then was, ought to be quite as much ashamed of playing at loo till three every morning as of being that vulgar thing, a learned gentleman.

The literary character has undoubtedly its full share of faults, and of very serious and offensive faults. If Walpole

had avoided those faults, we could have pardoned the fastidiousness with which he declined all fellowship with men of learning. But from those faults Walpole was not one jot more free than the garreteers from whose contact he shrank. Of literary meannesses and literary vices, his life and his works contain as many instances as the life and the works of any member of Johnson's club. The fact is, that Walpole had the faults of Grub Street, with a large addition from St. James's Street, the vanity, the jealousy, the irritability of a man of letters, the affected superciliousness and apathy of a man of ton.

His judgment of literature, of contemporary literature especially, was altogether perverted by his aristocratical feelings. No writer surely was ever guilty of so much false and absurd criticism. He almost invariably speaks with contempt of those books which are now universally allowed to be the best that appeared in his time: and, on the other hand, he speaks of writers of rank and fashion as if they were entitled to the same precedence in literature which would have been allowed to them in a drawing-room. In these letters, for example, he says that he would rather have written the most absurd lines in Lee than Thomson's Seasons. The periodical paper called "The World," on the other hand, was by "our first writers." Who, then, were the first writers of England in the year 1753? Walpole has told us in a note. Our readers will probably guess that Hume, Fielding, Smollett, Richardson, Johnson, Warburton, Collins, Akenside, Gray, Dyer, Young, Warton, Mason, or some of those distinguished men, were in the list. Not one of them. Our first writers, it seems, were Lord Chesterfield, Lord Bath, Mr. W. Whithed, Sir Charles Williams, Mr. Soame Jenyns, Mr. Cambridge, Mr. Coventry. Of these seven personages, Whithed was the lowest in station, but was the most accomplished tuft-hunter of his time. Coventry was of a noble family. The other five had among them two seats in the House of Lords, two seats in the House of Commons, three seats in the Privy Council, a baronetcy, a blue riband, a red riband, about a hundred thousand pounds a year, and not ten pages that are worth reading. The writings of Whithed, Cambridge, Coventry, and Lord Bath, are forgotten. Soame Jenyns is remembered chiefly by Johnson's review of the foolish Essay on the Origin of Evil. Lord Chesterfield stands much lower in the estimation of posterity than he would have done if his letters had never been published. The lampoons

of Sir Charles Williams are now read only by the curious, and, though not without occasional flashes of wit, have always seemed to us, we must own, very poor performances.

Walpole judged of French literature after the same fashion. He understood and loved the French language. Indeed, he loved it too well. His style is more deeply tainted with Gallicism than that of any other English writer with whom we are acquainted. His composition often reads, for a page together, like a rude translation from the French. We meet every minute with such sentences as these, "One knows what temperaments Annibal Caracci painted." "The impertinent personage!" "She is dead rich." "Lord Dalkeith is dead of the small-pox in three days." "It will now be seen whether he or they are most patriot."

His love of the French language was of a peculiar kind. He loved it as having been for a century the vehicle of all the polite nothings of Europe, as the sign by which the freemasons of fashion recognised each other in every capital from Petersburgh to Naples, as the language of raillery, as the language of anecdote, as the language of memoirs, as the language of correspondence. Its higher uses he altogether disregarded. The literature of France has been to ours what Aaron was to Moses, the expositor of great truths which would else have perished for want of a voice to utter them with distinctness. The relation which existed between Mr. Bentham and M. Dumont is an exact illustration of the intellectual relation in which the two countries stand to each other. The great discoveries in physics, in metaphysics, in political science, are ours. But scarcely any foreign nation except France has received them from us by direct communication. Isolated by our situation, isolated by our manners, we found truth, but we did not impart it. France has been the interpreter between England and mankind.

In the time of Walpole, this process of interpretation was in full activity. The great French writers were busy in proclaiming through Europe the names of Bacon, of Newton, and of Locke. The English principles of toleration, the English respect for personal liberty, the English doctrine that all power is a trust for the public good, were making rapid progress. There is scarcely any thing in history so interesting as that great stirring up of the mind of France, that shaking of the foundations of all established opinions, that uprooting of old truth and old error. It was plain that mighty principles were at work, whether for evil or for good.

It was plain that a great change in the whole social system was at hand. Fanatics of one kind might anticipate a golden age, in which men should live under the simple dominion of reason, in perfect equality and perfect amity, without property, or marriage, or king, or God. A fanatic of another kind might see nothing in the doctrines of the philosophers but anarchy and atheism, might cling more closely to every old abuse, and might regret the good old days when St. Dominic and Simon de Montfort put down the growing heresies of Provence. A wise man would have seen with regret the excesses into which the reformers were running; but he would have done justice to their genius and to their philanthropy. He would have censured their errors; but he would have remembered that, as Milton has said, error is but opinion in the making. While he condemned their hostility to religion, he would have acknowledged that it was the natural effect of a system under which religion had been constantly exhibited to them in forms which common sense rejected and at which humanity shuddered. While he condemned some of their political doctrines as incompatible with all law, all property, and all civilisation, he would have acknowledged that the subjects of Louis the Fifteenth had every excuse which men could have for being eager to pull down, and for being ignorant of the far higher art of setting up. While anticipating a fierce conflict, a great and widewasting destruction, he would yet have looked forward to the final close with a good hope for France and for mankind.

Walpole had neither hopes nor fears. Though the most Frenchified English writer of the eighteenth century, he troubled himself little about the portents which were daily to be discerned in the French literature of his time. While the most eminent Frenchmen were studying with enthusiastic delight English politics and English philosophy, he was studying as intently the gossip of the old court of France. The fashions and scandal of Versailles and Marli, fashions and scandal a hundred years old, occupied him infinitely more than a great moral revolution which was taking place in his sight. He took a prodigious interest in every noble sharper whose vast volume of wig and infinite length of riband had figured at the dressing or at the tucking up of Louis the Fourteenth, and of every profligate woman of quality who had carried her train of lovers backward and forward from king to parliament, and from parliament to king, during the wars of the Fronde. These were the people