A Theory of Fine Art

æsthetic ideas agreeable ancient architecture artist awaken beautiful belongs breadth called capable character characteristic color common complacency conception considered constitutes contemplating cultivation dimensions distinction distinguished Divine Comedy effect emotion Essay essence everything excitement expression fact faculty feeling fine arts genius Greece Greeks harmony Hence highest human mind ideal images imagination imitation individual infinite harmony intellectual interest judg judgments of taste kind Laocoön law of form less Lyrical Ballads material matter means ment modern moral judgments nature never object organic outward painter painting Paradise Lost particular passions perception perfect Phidias plastic arts pleasure poet poetry possess present pression principle productions proportion pure purpose realization relation rience says sculpture seems sensuous simply sion soul spirit striving style of art sublime symbols THEORY OF ART thing thought tiful tion true truth ture uncon understanding unity universal University of Vermont whole wholly