The Significance of the Fine Arts, Volumen1M. Jones, 1923 - 483 páginas |
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Términos y frases comunes
Acropolis aisles arches archi architect artists Asia Minor Athens basilica beauty became Bramante brick Brunelleschi builders building built Byzantine carved Cass Gilbert CATHEDRAL chapels character Christian church civilization classic color columns construction court decoration dome Donatello Doric early Egypt Egyptian eighteenth England English Europe expression feet figure Florence France French gardens Giotto glass Gothic Gothic architecture Gothic Revival Greece Greek halls influence INTERIOR Ionic Ionic order Italian Italy kings landscape later Louis LOUVRE marble material Mead and White Mediaeval Medici ment Michelangelo Middle Ages modern architecture monuments mouldings MUSEUM nature nave nineteenth century ornament painters painting palace Paris Parthenon perfect period PLATE produced Renaissance revival Roman Roman architecture Romanesque Rome roof sculpture Spain spirit stone streets structure style taste tecture temple theatre things tion tombs ture vault Venice walls York
Pasajes populares
Página 426 - St. Agnes' Eve, — Ah, bitter chill it was! The owl, for all his feathers, was a-cold ; The hare limp'd trembling through the frozen grass, And silent was the flock in woolly fold.
Página 363 - and when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us — then the wayfarer hastens home ; the working man and the cultured
Página 236 - is not simply a young country with an old mentality : it is a country with two mentalities, one a survival of the beliefs and standards of the fathers, the other an expression of the instincts, practices and discoveries of the younger generations. In all the higher things of the mind — in religion,
Página 370 - I think he bought his doublet in Italy, his round hose in France, his bonnet in Germany, and his behavior everywhere.
Página 338 - LOUDON, JOHN CLAUDIUS, An Encyclopedia of Gardening, comprising the theory and practice of horticulture, floriculture, arboriculture and landscape gardening. London, 1822.
Página 363 - the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who for once, has sung in tune, sings her exquisite song to the artist alone.
Página 86 - as impure, and he himself ignominiously and shamefully excluded from the society of the holy. There one sees the priests who preside over each chariot exhort every one to penitence, to confession of faults, to the resolution of better life ! There one sees old people, young people, little children, calling on the Lord with a
Página 183 - terre ressemble à de grandes tablettes où chacun veut écrire son nom. Quand ces tablettes sont pleines, il faut bien effacer les noms qui y sont déjà écrits pour y en mettre de nouveaux. Que serait-ce si les monuments des anciens subsistaient ? Les modernes n'auraient pas où placer les leurs.
Página 86 - and in wealth, that nobles, men and women, have bent their proud and haughty necks to the harness of carts, and that, like beasts of burden, they have dragged to the abode of Christ these waggons, loaded with wines, grains, oil, stone, wood, and all that is necessary for the wants of life, or for the construction of the church ? But while
Página 236 - may be found symbolized in American architecture ; a neat reproduction of the Colonial mansion — with some modern comforts introduced surreptitiously — stands beside the skyscraper. The American will inhabits the skyscraper; the American intellect inherits the Colonial mansion. The one is the sphere of the American man ; the other, at least predominantly, of the American woman. The one is all aggressive enterprise; the other all genteel tradition.