Manuel Zapata Olivella and the "darkening" of Latin American LiteratureUniversity of Missouri Press, 2005 - 148 páginas |
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... oppression, marginalization, si- lencing, and historical racism, all of which are themes explored in the works of Zapata Olivella, characterize this existence. Borrowing from Colombian historical moments, Zapata Olivella embellishes ...
... oppression, marginalization, si- lencing, and historical racism, all of which are themes explored in the works of Zapata Olivella, characterize this existence. Borrowing from Colombian historical moments, Zapata Olivella embellishes ...
Página 12
... oppressed . The oppressor is the black land - hungry rancher , Jesús Espitia , who has acquired his land and wealth through 3. Lewis , Treading the Ebony Path , 94 . the exploitation of the rice plantation workers. He is portrayed 121 ...
... oppressed . The oppressor is the black land - hungry rancher , Jesús Espitia , who has acquired his land and wealth through 3. Lewis , Treading the Ebony Path , 94 . the exploitation of the rice plantation workers. He is portrayed 121 ...
Página 13
... oppressed and the oppressor. The depiction of the oppressed Correa family reveals the customs and traditions that are endemic within this Colombian region. The patriarchal social structure identifies Gregorio as the embodiment of the ...
... oppressed and the oppressor. The depiction of the oppressed Correa family reveals the customs and traditions that are endemic within this Colombian region. The patriarchal social structure identifies Gregorio as the embodiment of the ...
Página 17
... oppressed man of color and the personality of Jesús Espitia , representative of the mulatto exploiter that abhors his black blood and as a means of advancing his life , intensifies the exploitation of the darker - skinned people.5 5 ...
... oppressed man of color and the personality of Jesús Espitia , representative of the mulatto exploiter that abhors his black blood and as a means of advancing his life , intensifies the exploitation of the darker - skinned people.5 5 ...
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Contenido
10 | |
Chapter II | 25 |
La Calle 10 En Chimá and Chambacú | 45 |
Chapter IV | 70 |
Chapter V | 86 |
Chapter VI | 110 |
Conclusion | 126 |
Bibliography | 133 |
Index | 141 |
Otras ediciones - Ver todas
Manuel Zapata Olivella and the "darkening" of Latin American Literature Antonio D. Tillis Vista previa limitada - 2005 |
Manuel Zapata Olivella and the "darkening" of Latin American Literature Antonio D. Tillis Vista de fragmentos - 2005 |
Términos y frases comunes
Additionally aesthetic African ancestry African descent African diaspora Afro-Colombian Afro-Hispanic Agne America Antoñete Bogotá Chambacú Changó chapter characters Chimá claves Colombian colonial concept cultural depicts discourse Ebony Path Espitia essays ethnic European exploitation explored Father Berrocal fiction focus Harlem Hemingway heritage hijo Hispanic historical historiographic metafiction hombre hunger Hutcheon identity ideology Indian indigenous inhabitants Jorge José Raquel Kenya Kikuyo Latin American literature Levántate Linda Hutcheon literary magical realism major Manuel Zapata Olivella María Marvin Lewis Máximo ment mestizos metafiction Mexican miscegenation mixed mulato narrative voice narrator nature negro North American novel oppression Parmenio plight political postcolonial postmodernism presented protagonist race racial racism reader reality region religion religious Renata representation reveals Richard Jackson Ruperta Sacred Mammal saint scholars Secos sexual Sinú River Sinú River valley slavery social Spanish Tenth Street thematic theme Tierra tion traditions Treading the Ebony tri-ethnic United violence World writer Yoruba