Manuel Zapata Olivella and the "darkening" of Latin American LiteratureUniversity of Missouri Press, 2005 - 148 páginas |
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Página 1
... explored in this study is best characterized as the postcolonial literary “history” of people of African descent and the socially dispossessed in the Americas; hence, the “darkening” of thematic content and of a ma- jority of his ...
... explored in this study is best characterized as the postcolonial literary “history” of people of African descent and the socially dispossessed in the Americas; hence, the “darkening” of thematic content and of a ma- jority of his ...
Página 2
... explored in the works of Zapata Olivella, characterize this existence. Borrowing from Colombian historical moments, Zapata Olivella embellishes, with re- gard to Africans and those of African ancestry, the generational mar- ginalization ...
... explored in the works of Zapata Olivella, characterize this existence. Borrowing from Colombian historical moments, Zapata Olivella embellishes, with re- gard to Africans and those of African ancestry, the generational mar- ginalization ...
Página 16
... explores them with his plants and others with his pen. Many are able to do both and those like Balzac are few who simply “made-up his mind to ex- plore.” This is how Zapata Olivella was, who had known already his na- tive areas and the ...
... explores them with his plants and others with his pen. Many are able to do both and those like Balzac are few who simply “made-up his mind to ex- plore.” This is how Zapata Olivella was, who had known already his na- tive areas and the ...
Página 18
... explores the theme of black self-hatred. Many Latin Americans of African ancestry often try to efface blackness through economic mobility or a hyperbolic valorization of “non-black” components of their mixed heritage. Jesús Espitia thus ...
... explores the theme of black self-hatred. Many Latin Americans of African ancestry often try to efface blackness through economic mobility or a hyperbolic valorization of “non-black” components of their mixed heritage. Jesús Espitia thus ...
Página 24
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Contenido
10 | |
Chapter II | 25 |
La Calle 10 En Chimá and Chambacú | 45 |
Chapter IV | 70 |
Chapter V | 86 |
Chapter VI | 110 |
Conclusion | 126 |
Bibliography | 133 |
Index | 141 |
Otras ediciones - Ver todas
Manuel Zapata Olivella and the "darkening" of Latin American Literature Antonio D. Tillis Vista previa limitada - 2005 |
Manuel Zapata Olivella and the "darkening" of Latin American Literature Antonio D. Tillis Vista de fragmentos - 2005 |
Términos y frases comunes
Additionally aesthetic African ancestry African descent African diaspora Afro-Colombian Afro-Hispanic Agne America Antoñete Bogotá Chambacú Changó chapter characters Chimá claves Colombian colonial concept cultural depicts discourse Ebony Path Espitia essays ethnic European exploitation explored Father Berrocal fiction focus Harlem Hemingway heritage hijo Hispanic historical historiographic metafiction hombre hunger Hutcheon identity ideology Indian indigenous inhabitants Jorge José Raquel Kenya Kikuyo Latin American literature Levántate Linda Hutcheon literary magical realism major Manuel Zapata Olivella María Marvin Lewis Máximo ment mestizos metafiction Mexican miscegenation mixed mulato narrative voice narrator nature negro North American novel oppression Parmenio plight political postcolonial postmodernism presented protagonist race racial racism reader reality region religion religious Renata representation reveals Richard Jackson Ruperta Sacred Mammal saint scholars Secos sexual Sinú River Sinú River valley slavery social Spanish Tenth Street thematic theme Tierra tion traditions Treading the Ebony tri-ethnic United violence World writer Yoruba